Abstract:Recent advances in speech spoofing necessitate stronger verification mechanisms in neural speech codecs to ensure authenticity. Current methods embed numerical watermarks before compression and extract them from reconstructed speech for verification, but face limitations such as separate training processes for the watermark and codec, and insufficient cross-modal information integration, leading to reduced watermark imperceptibility, extraction accuracy, and capacity. To address these issues, we propose WMCodec, the first neural speech codec to jointly train compression-reconstruction and watermark embedding-extraction in an end-to-end manner, optimizing both imperceptibility and extractability of the watermark. Furthermore, We design an iterative Attention Imprint Unit (AIU) for deeper feature integration of watermark and speech, reducing the impact of quantization noise on the watermark. Experimental results show WMCodec outperforms AudioSeal with Encodec in most quality metrics for watermark imperceptibility and consistently exceeds both AudioSeal with Encodec and reinforced TraceableSpeech in extraction accuracy of watermark. At bandwidth of 6 kbps with a watermark capacity of 16 bps, WMCodec maintains over 99% extraction accuracy under common attacks, demonstrating strong robustness.
Abstract:We introduce Diffusion-based Audio Captioning (DAC), a non-autoregressive diffusion model tailored for diverse and efficient audio captioning. Although existing captioning models relying on language backbones have achieved remarkable success in various captioning tasks, their insufficient performance in terms of generation speed and diversity impede progress in audio understanding and multimedia applications. Our diffusion-based framework offers unique advantages stemming from its inherent stochasticity and holistic context modeling in captioning. Through rigorous evaluation, we demonstrate that DAC not only achieves SOTA performance levels compared to existing benchmarks in the caption quality, but also significantly outperforms them in terms of generation speed and diversity. The success of DAC illustrates that text generation can also be seamlessly integrated with audio and visual generation tasks using a diffusion backbone, paving the way for a unified, audio-related generative model across different modalities.
Abstract:Visual and auditory perception are two crucial ways humans experience the world. Text-to-video generation has made remarkable progress over the past year, but the absence of harmonious audio in generated video limits its broader applications. In this paper, we propose Semantic and Temporal Aligned Video-to-Audio (STA-V2A), an approach that enhances audio generation from videos by extracting both local temporal and global semantic video features and combining these refined video features with text as cross-modal guidance. To address the issue of information redundancy in videos, we propose an onset prediction pretext task for local temporal feature extraction and an attentive pooling module for global semantic feature extraction. To supplement the insufficient semantic information in videos, we propose a Latent Diffusion Model with Text-to-Audio priors initialization and cross-modal guidance. We also introduce Audio-Audio Align, a new metric to assess audio-temporal alignment. Subjective and objective metrics demonstrate that our method surpasses existing Video-to-Audio models in generating audio with better quality, semantic consistency, and temporal alignment. The ablation experiment validated the effectiveness of each module. Audio samples are available at https://y-ren16.github.io/STAV2A.
Abstract:Fake audio detection is an emerging active topic. A growing number of literatures have aimed to detect fake utterance, which are mostly generated by Text-to-speech (TTS) or voice conversion (VC). However, countermeasures against impersonation remain an underexplored area. Impersonation is a fake type that involves an imitator replicating specific traits and speech style of a target speaker. Unlike TTS and VC, which often leave digital traces or signal artifacts, impersonation involves live human beings producing entirely natural speech, rendering the detection of impersonation audio a challenging task. Thus, we propose a novel method that integrates speaker profiles into the process of impersonation audio detection. Speaker profiles are inherent characteristics that are challenging for impersonators to mimic accurately, such as speaker's age, job. We aim to leverage these features to extract discriminative information for detecting impersonation audio. Moreover, there is no large impersonated speech corpora available for quantitative study of impersonation impacts. To address this gap, we further design the first large-scale, diverse-speaker Chinese impersonation dataset, named ImPersonation Audio Detection (IPAD), to advance the community's research on impersonation audio detection. We evaluate several existing fake audio detection methods on our proposed dataset IPAD, demonstrating its necessity and the challenges. Additionally, our findings reveal that incorporating speaker profiles can significantly enhance the model's performance in detecting impersonation audio.
Abstract:The growing prominence of the field of audio deepfake detection is driven by its wide range of applications, notably in protecting the public from potential fraud and other malicious activities, prompting the need for greater attention and research in this area. The ADD 2023 challenge goes beyond binary real/fake classification by emulating real-world scenarios, such as the identification of manipulated intervals in partially fake audio and determining the source responsible for generating any fake audio, both with real-life implications, notably in audio forensics, law enforcement, and construction of reliable and trustworthy evidence. To further foster research in this area, in this article, we describe the dataset that was used in the fake game, manipulation region location and deepfake algorithm recognition tracks of the challenge. We also focus on the analysis of the technical methodologies by the top-performing participants in each task and note the commonalities and differences in their approaches. Finally, we discuss the current technical limitations as identified through the technical analysis, and provide a roadmap for future research directions. The dataset is available for download.
Abstract:When the task of locating manipulation regions in partially-fake audio (PFA) involves cross-domain datasets, the performance of deep learning models drops significantly due to the shift between the source and target domains. To address this issue, existing approaches often employ data augmentation before training. However, they overlook the characteristics in target domain that are absent in source domain. Inspired by the mixture-of-experts model, we propose an unsupervised method named Samples mining with Diversity and Entropy (SDE). Our method first learns from a collection of diverse experts that achieve great performance from different perspectives in the source domain, but with ambiguity on target samples. We leverage these diverse experts to select the most informative samples by calculating their entropy. Furthermore, we introduced a label generation method tailored for these selected samples that are incorporated in the training process in source domain integrating the target domain information. We applied our method to a cross-domain partially fake audio detection dataset, ADD2023Track2. By introducing 10% of unknown samples from the target domain, we achieved an F1 score of 43.84%, which represents a relative increase of 77.2% compared to the second-best method.
Abstract:Generating semantically and temporally aligned audio content in accordance with video input has become a focal point for researchers, particularly following the remarkable breakthrough in text-to-video generation. In this work, we aim to offer insights into the video-to-audio generation paradigm, focusing on three crucial aspects: vision encoders, auxiliary embeddings, and data augmentation techniques. Beginning with a foundational model VTA-LDM built on a simple yet surprisingly effective intuition, we explore various vision encoders and auxiliary embeddings through ablation studies. Employing a comprehensive evaluation pipeline that emphasizes generation quality and video-audio synchronization alignment, we demonstrate that our model exhibits state-of-the-art video-to-audio generation capabilities. Furthermore, we provide critical insights into the impact of different data augmentation methods on enhancing the generation framework's overall capacity. We showcase possibilities to advance the challenge of generating synchronized audio from semantic and temporal perspectives. We hope these insights will serve as a stepping stone toward developing more realistic and accurate audio-visual generation models.
Abstract:Various threats posed by the progress in text-to-speech (TTS) have prompted the need to reliably trace synthesized speech. However, contemporary approaches to this task involve adding watermarks to the audio separately after generation, a process that hurts both speech quality and watermark imperceptibility. In addition, these approaches are limited in robustness and flexibility. To address these problems, we propose TraceableSpeech, a novel TTS model that directly generates watermarked speech, improving watermark imperceptibility and speech quality. Furthermore, We design the frame-wise imprinting and extraction of watermarks, achieving higher robustness against resplicing attacks and temporal flexibility in operation. Experimental results show that TraceableSpeech outperforms the strong baseline where VALL-E or HiFicodec individually uses WavMark in watermark imperceptibility, speech quality and resilience against resplicing attacks. It also can apply to speech of various durations.
Abstract:Recently, there have been significant advancements in voice conversion, resulting in high-quality performance. However, there are still two critical challenges in this field. Firstly, current voice conversion methods have limited robustness when encountering unseen speakers. Secondly, they also have limited ability to control timbre representation. To address these challenges, this paper presents a novel approach leverages tokens of multi-layer residual approximations to enhance robustness when dealing with unseen speakers, called the residual speaker module. The introduction of multi-layer approximations facilitates the separation of information from the timbre, enabling effective control over timbre in voice conversion. The proposed method outperforms baselines in both subjective and objective evaluations, demonstrating superior performance and increased robustness. Our demo page is publicly available.
Abstract:Audio deepfake detection is an emerging topic in the artificial intelligence community. The second Audio Deepfake Detection Challenge (ADD 2023) aims to spur researchers around the world to build new innovative technologies that can further accelerate and foster research on detecting and analyzing deepfake speech utterances. Different from previous challenges (e.g. ADD 2022), ADD 2023 focuses on surpassing the constraints of binary real/fake classification, and actually localizing the manipulated intervals in a partially fake speech as well as pinpointing the source responsible for generating any fake audio. Furthermore, ADD 2023 includes more rounds of evaluation for the fake audio game sub-challenge. The ADD 2023 challenge includes three subchallenges: audio fake game (FG), manipulation region location (RL) and deepfake algorithm recognition (AR). This paper describes the datasets, evaluation metrics, and protocols. Some findings are also reported in audio deepfake detection tasks.