SRC-gAudio: Sampling-Rate-Controlled Audio Generation

We introduce SRC-gAudio, a novel audio generation model designed to facilitate text-to-audio generation across a wide range of sampling rates within a single model architecture. SRC-gAudio incorporates the sampling rate as part of the generation condition to guide the diffusion-based audio generation process. Our model enables the generation of audio at multiple sampling rates with a single unified model. Furthermore, we explore the potential benefits of large-scale, low-sampling-rate data in enhancing the generation quality of high-sampling-rate audio. Through extensive experiments, we demonstrate that SRC-gAudio effectively generates audio under controlled sampling rates. Additionally, our results indicate that pre-training on low-sampling-rate data can lead to significant improvements in audio quality across various metrics.

DPI-TTS: Directional Patch Interaction for Fast-Converging and Style Temporal Modeling in Text-to-Speech

In recent years, speech diffusion models have advanced rapidly. Alongside the widely used U-Net architecture, transformer-based models such as the Diffusion Transformer (DiT) have also gained attention. However, current DiT speech models treat Mel spectrograms as general images, which overlooks the specific acoustic properties of speech. To address these limitations, we propose a method called Directional Patch Interaction for Text-to-Speech (DPI-TTS), which builds on DiT and achieves fast training without compromising accuracy. Notably, DPI-TTS employs a low-to-high frequency, frame-by-frame progressive inference approach that aligns more closely with acoustic properties, enhancing the naturalness of the generated speech. Additionally, we introduce a fine-grained style temporal modeling method that further improves speaker style similarity. Experimental results demonstrate that our method increases the training speed by nearly 2 times and significantly outperforms the baseline models.

Mixture of Experts Fusion for Fake Audio Detection Using Frozen wav2vec 2.0

Speech synthesis technology has posed a serious threat to speaker verification systems. Currently, the most effective fake audio detection methods utilize pretrained models, and integrating features from various layers of pretrained model further enhances detection performance. However, most of the previously proposed fusion methods require fine-tuning the pretrained models, resulting in excessively long training times and hindering model iteration when facing new speech synthesis technology. To address this issue, this paper proposes a feature fusion method based on the Mixture of Experts, which extracts and integrates features relevant to fake audio detection from layer features, guided by a gating network based on the last layer feature, while freezing the pretrained model. Experiments conducted on the ASVspoof2019 and ASVspoof2021 datasets demonstrate that the proposed method achieves competitive performance compared to those requiring fine-tuning.

EzAudio: Enhancing Text-to-Audio Generation with Efficient Diffusion Transformer

Latent diffusion models have shown promising results in text-to-audio (T2A) generation tasks, yet previous models have encountered difficulties in generation quality, computational cost, diffusion sampling, and data preparation. In this paper, we introduce EzAudio, a transformer-based T2A diffusion model, to handle these challenges. Our approach includes several key innovations: (1) We build the T2A model on the latent space of a 1D waveform Variational Autoencoder (VAE), avoiding the complexities of handling 2D spectrogram representations and using an additional neural vocoder. (2) We design an optimized diffusion transformer architecture specifically tailored for audio latent representations and diffusion modeling, which enhances convergence speed, training stability, and memory usage, making the training process easier and more efficient. (3) To tackle data scarcity, we adopt a data-efficient training strategy that leverages unlabeled data for learning acoustic dependencies, audio caption data annotated by audio-language models for text-to-audio alignment learning, and human-labeled data for fine-tuning. (4) We introduce a classifier-free guidance (CFG) rescaling method that simplifies EzAudio by achieving strong prompt alignment while preserving great audio quality when using larger CFG scores, eliminating the need to struggle with finding the optimal CFG score to balance this trade-off. EzAudio surpasses existing open-source models in both objective metrics and subjective evaluations, delivering realistic listening experiences while maintaining a streamlined model structure, low training costs, and an easy-to-follow training pipeline. Code, data, and pre-trained models are released at: https://haidog-yaqub.github.io/EzAudio-Page/.

Text Prompt is Not Enough: Sound Event Enhanced Prompt Adapter for Target Style Audio Generation

Current mainstream audio generation methods primarily rely on simple text prompts, often failing to capture the nuanced details necessary for multi-style audio generation. To address this limitation, the Sound Event Enhanced Prompt Adapter is proposed. Unlike traditional static global style transfer, this method extracts style embedding through cross-attention between text and reference audio for adaptive style control. Adaptive layer normalization is then utilized to enhance the model's capacity to express multiple styles. Additionally, the Sound Event Reference Style Transfer Dataset (SERST) is introduced for the proposed target style audio generation task, enabling dual-prompt audio generation using both text and audio references. Experimental results demonstrate the robustness of the model, achieving state-of-the-art Fr\'echet Distance of 26.94 and KL Divergence of 1.82, surpassing Tango, AudioLDM, and AudioGen. Furthermore, the generated audio shows high similarity to its corresponding audio reference. The demo, code, and dataset are publicly available.

Towards Diverse and Efficient Audio Captioning via Diffusion Models

We introduce Diffusion-based Audio Captioning (DAC), a non-autoregressive diffusion model tailored for diverse and efficient audio captioning. Although existing captioning models relying on language backbones have achieved remarkable success in various captioning tasks, their insufficient performance in terms of generation speed and diversity impede progress in audio understanding and multimedia applications. Our diffusion-based framework offers unique advantages stemming from its inherent stochasticity and holistic context modeling in captioning. Through rigorous evaluation, we demonstrate that DAC not only achieves SOTA performance levels compared to existing benchmarks in the caption quality, but also significantly outperforms them in terms of generation speed and diversity. The success of DAC illustrates that text generation can also be seamlessly integrated with audio and visual generation tasks using a diffusion backbone, paving the way for a unified, audio-related generative model across different modalities.

STA-V2A: Video-to-Audio Generation with Semantic and Temporal Alignment

Visual and auditory perception are two crucial ways humans experience the world. Text-to-video generation has made remarkable progress over the past year, but the absence of harmonious audio in generated video limits its broader applications. In this paper, we propose Semantic and Temporal Aligned Video-to-Audio (STA-V2A), an approach that enhances audio generation from videos by extracting both local temporal and global semantic video features and combining these refined video features with text as cross-modal guidance. To address the issue of information redundancy in videos, we propose an onset prediction pretext task for local temporal feature extraction and an attentive pooling module for global semantic feature extraction. To supplement the insufficient semantic information in videos, we propose a Latent Diffusion Model with Text-to-Audio priors initialization and cross-modal guidance. We also introduce Audio-Audio Align, a new metric to assess audio-temporal alignment. Subjective and objective metrics demonstrate that our method surpasses existing Video-to-Audio models in generating audio with better quality, semantic consistency, and temporal alignment. The ablation experiment validated the effectiveness of each module. Audio samples are available at https://y-ren16.github.io/STAV2A.

Video-to-Audio Generation with Hidden Alignment

Generating semantically and temporally aligned audio content in accordance with video input has become a focal point for researchers, particularly following the remarkable breakthrough in text-to-video generation. In this work, we aim to offer insights into the video-to-audio generation paradigm, focusing on three crucial aspects: vision encoders, auxiliary embeddings, and data augmentation techniques. Beginning with a foundational model VTA-LDM built on a simple yet surprisingly effective intuition, we explore various vision encoders and auxiliary embeddings through ablation studies. Employing a comprehensive evaluation pipeline that emphasizes generation quality and video-audio synchronization alignment, we demonstrate that our model exhibits state-of-the-art video-to-audio generation capabilities. Furthermore, we provide critical insights into the impact of different data augmentation methods on enhancing the generation framework's overall capacity. We showcase possibilities to advance the challenge of generating synchronized audio from semantic and temporal perspectives. We hope these insights will serve as a stepping stone toward developing more realistic and accurate audio-visual generation models.

HyperSIGMA: Hyperspectral Intelligence Comprehension Foundation Model

Foundation models (FMs) are revolutionizing the analysis and understanding of remote sensing (RS) scenes, including aerial RGB, multispectral, and SAR images. However, hyperspectral images (HSIs), which are rich in spectral information, have not seen much application of FMs, with existing methods often restricted to specific tasks and lacking generality. To fill this gap, we introduce HyperSIGMA, a vision transformer-based foundation model for HSI interpretation, scalable to over a billion parameters. To tackle the spectral and spatial redundancy challenges in HSIs, we introduce a novel sparse sampling attention (SSA) mechanism, which effectively promotes the learning of diverse contextual features and serves as the basic block of HyperSIGMA. HyperSIGMA integrates spatial and spectral features using a specially designed spectral enhancement module. In addition, we construct a large-scale hyperspectral dataset, HyperGlobal-450K, for pre-training, which contains about 450K hyperspectral images, significantly surpassing existing datasets in scale. Extensive experiments on various high-level and low-level HSI tasks demonstrate HyperSIGMA's versatility and superior representational capability compared to current state-of-the-art methods. Moreover, HyperSIGMA shows significant advantages in scalability, robustness, cross-modal transferring capability, and real-world applicability.

Jointly Recognizing Speech and Singing Voices Based on Multi-Task Audio Source Separation

In short video and live broadcasts, speech, singing voice, and background music often overlap and obscure each other. This complexity creates difficulties in structuring and recognizing the audio content, which may impair subsequent ASR and music understanding applications. This paper proposes a multi-task audio source separation (MTASS) based ASR model called JRSV, which Jointly Recognizes Speech and singing Voices. Specifically, the MTASS module separates the mixed audio into distinct speech and singing voice tracks while removing background music. The CTC/attention hybrid recognition module recognizes both tracks. Online distillation is proposed to improve the robustness of recognition further. To evaluate the proposed methods, a benchmark dataset is constructed and released. Experimental results demonstrate that JRSV can significantly improve recognition accuracy on each track of the mixed audio.