Editing Music with Melody and Text: Using ControlNet for Diffusion Transformer

Despite the significant progress in controllable music generation and editing, challenges remain in the quality and length of generated music due to the use of Mel-spectrogram representations and UNet-based model structures. To address these limitations, we propose a novel approach using a Diffusion Transformer (DiT) augmented with an additional control branch using ControlNet. This allows for long-form and variable-length music generation and editing controlled by text and melody prompts. For more precise and fine-grained melody control, we introduce a novel top-$k$ constant-Q Transform representation as the melody prompt, reducing ambiguity compared to previous representations (e.g., chroma), particularly for music with multiple tracks or a wide range of pitch values. To effectively balance the control signals from text and melody prompts, we adopt a curriculum learning strategy that progressively masks the melody prompt, resulting in a more stable training process. Experiments have been performed on text-to-music generation and music-style transfer tasks using open-source instrumental recording data. The results demonstrate that by extending StableAudio, a pre-trained text-controlled DiT model, our approach enables superior melody-controlled editing while retaining good text-to-music generation performance. These results outperform a strong MusicGen baseline in terms of both text-based generation and melody preservation for editing. Audio examples can be found at https://stable-audio-control.github.io/web/.

You Know What I'm Saying -- Jailbreak Attack via Implicit Reference

While recent advancements in large language model (LLM) alignment have enabled the effective identification of malicious objectives involving scene nesting and keyword rewriting, our study reveals that these methods remain inadequate at detecting malicious objectives expressed through context within nested harmless objectives. This study identifies a previously overlooked vulnerability, which we term Attack via Implicit Reference (AIR). AIR decomposes a malicious objective into permissible objectives and links them through implicit references within the context. This method employs multiple related harmless objectives to generate malicious content without triggering refusal responses, thereby effectively bypassing existing detection techniques.Our experiments demonstrate AIR's effectiveness across state-of-the-art LLMs, achieving an attack success rate (ASR) exceeding 90% on most models, including GPT-4o, Claude-3.5-Sonnet, and Qwen-2-72B. Notably, we observe an inverse scaling phenomenon, where larger models are more vulnerable to this attack method. These findings underscore the urgent need for defense mechanisms capable of understanding and preventing contextual attacks. Furthermore, we introduce a cross-model attack strategy that leverages less secure models to generate malicious contexts, thereby further increasing the ASR when targeting other models.Our code and jailbreak artifacts can be found at https://github.com/Lucas-TY/llm_Implicit_reference.

HiddenGuard: Fine-Grained Safe Generation with Specialized Representation Router

As Large Language Models (LLMs) grow increasingly powerful, ensuring their safety and alignment with human values remains a critical challenge. Ideally, LLMs should provide informative responses while avoiding the disclosure of harmful or sensitive information. However, current alignment approaches, which rely heavily on refusal strategies, such as training models to completely reject harmful prompts or applying coarse filters are limited by their binary nature. These methods either fully deny access to information or grant it without sufficient nuance, leading to overly cautious responses or failures to detect subtle harmful content. For example, LLMs may refuse to provide basic, public information about medication due to misuse concerns. Moreover, these refusal-based methods struggle to handle mixed-content scenarios and lack the ability to adapt to context-dependent sensitivities, which can result in over-censorship of benign content. To overcome these challenges, we introduce HiddenGuard, a novel framework for fine-grained, safe generation in LLMs. HiddenGuard incorporates Prism (rePresentation Router for In-Stream Moderation), which operates alongside the LLM to enable real-time, token-level detection and redaction of harmful content by leveraging intermediate hidden states. This fine-grained approach allows for more nuanced, context-aware moderation, enabling the model to generate informative responses while selectively redacting or replacing sensitive information, rather than outright refusal. We also contribute a comprehensive dataset with token-level fine-grained annotations of potentially harmful information across diverse contexts. Our experiments demonstrate that HiddenGuard achieves over 90% in F1 score for detecting and redacting harmful content while preserving the overall utility and informativeness of the model's responses.

SongTrans: An unified song transcription and alignment method for lyrics and notes

The quantity of processed data is crucial for advancing the field of singing voice synthesis. While there are tools available for lyric or note transcription tasks, they all need pre-processed data which is relatively time-consuming (e.g., vocal and accompaniment separation). Besides, most of these tools are designed to address a single task and struggle with aligning lyrics and notes (i.e., identifying the corresponding notes of each word in lyrics). To address those challenges, we first design a pipeline by optimizing existing tools and annotating numerous lyric-note pairs of songs. Then, based on the annotated data, we train a unified SongTrans model that can directly transcribe lyrics and notes while aligning them simultaneously, without requiring pre-processing songs. Our SongTrans model consists of two modules: (1) the \textbf{Autoregressive module} predicts the lyrics, along with the duration and note number corresponding to each word in a lyric. (2) the \textbf{Non-autoregressive module} predicts the pitch and duration of the notes. Our experiments demonstrate that SongTrans achieves state-of-the-art (SOTA) results in both lyric and note transcription tasks. Furthermore, it is the first model capable of aligning lyrics with notes. Experimental results demonstrate that the SongTrans model can effectively adapt to different types of songs (e.g., songs with accompaniment), showcasing its versatility for real-world applications.

Foundation Models for Music: A Survey

In recent years, foundation models (FMs) such as large language models (LLMs) and latent diffusion models (LDMs) have profoundly impacted diverse sectors, including music. This comprehensive review examines state-of-the-art (SOTA) pre-trained models and foundation models in music, spanning from representation learning, generative learning and multimodal learning. We first contextualise the significance of music in various industries and trace the evolution of AI in music. By delineating the modalities targeted by foundation models, we discover many of the music representations are underexplored in FM development. Then, emphasis is placed on the lack of versatility of previous methods on diverse music applications, along with the potential of FMs in music understanding, generation and medical application. By comprehensively exploring the details of the model pre-training paradigm, architectural choices, tokenisation, finetuning methodologies and controllability, we emphasise the important topics that should have been well explored, like instruction tuning and in-context learning, scaling law and emergent ability, as well as long-sequence modelling etc. A dedicated section presents insights into music agents, accompanied by a thorough analysis of datasets and evaluations essential for pre-training and downstream tasks. Finally, by underscoring the vital importance of ethical considerations, we advocate that following research on FM for music should focus more on such issues as interpretability, transparency, human responsibility, and copyright issues. The paper offers insights into future challenges and trends on FMs for music, aiming to shape the trajectory of human-AI collaboration in the music realm.

Can LLMs "Reason" in Music? An Evaluation of LLMs' Capability of Music Understanding and Generation

Symbolic Music, akin to language, can be encoded in discrete symbols. Recent research has extended the application of large language models (LLMs) such as GPT-4 and Llama2 to the symbolic music domain including understanding and generation. Yet scant research explores the details of how these LLMs perform on advanced music understanding and conditioned generation, especially from the multi-step reasoning perspective, which is a critical aspect in the conditioned, editable, and interactive human-computer co-creation process. This study conducts a thorough investigation of LLMs' capability and limitations in symbolic music processing. We identify that current LLMs exhibit poor performance in song-level multi-step music reasoning, and typically fail to leverage learned music knowledge when addressing complex musical tasks. An analysis of LLMs' responses highlights distinctly their pros and cons. Our findings suggest achieving advanced musical capability is not intrinsically obtained by LLMs, and future research should focus more on bridging the gap between music knowledge and reasoning, to improve the co-creation experience for musicians.

MMTrail: A Multimodal Trailer Video Dataset with Language and Music Descriptions

Massive multi-modality datasets play a significant role in facilitating the success of large video-language models. However, current video-language datasets primarily provide text descriptions for visual frames, considering audio to be weakly related information. They usually overlook exploring the potential of inherent audio-visual correlation, leading to monotonous annotation within each modality instead of comprehensive and precise descriptions. Such ignorance results in the difficulty of multiple cross-modality studies. To fulfill this gap, we present MMTrail, a large-scale multi-modality video-language dataset incorporating more than 20M trailer clips with visual captions, and 2M high-quality clips with multimodal captions. Trailers preview full-length video works and integrate context, visual frames, and background music. In particular, the trailer has two main advantages: (1) the topics are diverse, and the content characters are of various types, e.g., film, news, and gaming. (2) the corresponding background music is custom-designed, making it more coherent with the visual context. Upon these insights, we propose a systemic captioning framework, achieving various modality annotations with more than 27.1k hours of trailer videos. Here, to ensure the caption retains music perspective while preserving the authority of visual context, we leverage the advanced LLM to merge all annotations adaptively. In this fashion, our MMtrail dataset potentially paves the path for fine-grained large multimodal-language model training. In experiments, we provide evaluation metrics and benchmark results on our dataset, demonstrating the high quality of our annotation and its effectiveness for model training.

VidMuse: A Simple Video-to-Music Generation Framework with Long-Short-Term Modeling

In this work, we systematically study music generation conditioned solely on the video. First, we present a large-scale dataset comprising 190K video-music pairs, including various genres such as movie trailers, advertisements, and documentaries. Furthermore, we propose VidMuse, a simple framework for generating music aligned with video inputs. VidMuse stands out by producing high-fidelity music that is both acoustically and semantically aligned with the video. By incorporating local and global visual cues, VidMuse enables the creation of musically coherent audio tracks that consistently match the video content through Long-Short-Term modeling. Through extensive experiments, VidMuse outperforms existing models in terms of audio quality, diversity, and audio-visual alignment. The code and datasets will be available at https://github.com/ZeyueT/VidMuse/.

LLMs Meet Multimodal Generation and Editing: A Survey

With the recent advancement in large language models (LLMs), there is a growing interest in combining LLMs with multimodal learning. Previous surveys of multimodal large language models (MLLMs) mainly focus on understanding. This survey elaborates on multimodal generation across different domains, including image, video, 3D, and audio, where we highlight the notable advancements with milestone works in these fields. Specifically, we exhaustively investigate the key technical components behind methods and multimodal datasets utilized in these studies. Moreover, we dig into tool-augmented multimodal agents that can use existing generative models for human-computer interaction. Lastly, we also comprehensively discuss the advancement in AI safety and investigate emerging applications as well as future prospects. Our work provides a systematic and insightful overview of multimodal generation, which is expected to advance the development of Artificial Intelligence for Generative Content (AIGC) and world models. A curated list of all related papers can be found at https://github.com/YingqingHe/Awesome-LLMs-meet-Multimodal-Generation

ComposerX: Multi-Agent Symbolic Music Composition with LLMs

Music composition represents the creative side of humanity, and itself is a complex task that requires abilities to understand and generate information with long dependency and harmony constraints. While demonstrating impressive capabilities in STEM subjects, current LLMs easily fail in this task, generating ill-written music even when equipped with modern techniques like In-Context-Learning and Chain-of-Thoughts. To further explore and enhance LLMs' potential in music composition by leveraging their reasoning ability and the large knowledge base in music history and theory, we propose ComposerX, an agent-based symbolic music generation framework. We find that applying a multi-agent approach significantly improves the music composition quality of GPT-4. The results demonstrate that ComposerX is capable of producing coherent polyphonic music compositions with captivating melodies, while adhering to user instructions.