ASVspoof 5: Design, Collection and Validation of Resources for Spoofing, Deepfake, and Adversarial Attack Detection Using Crowdsourced Speech

ASVspoof 5 is the fifth edition in a series of challenges which promote the study of speech spoofing and deepfake attacks as well as the design of detection solutions. We introduce the ASVspoof 5 database which is generated in crowdsourced fashion from data collected in diverse acoustic conditions (cf. studio-quality data for earlier ASVspoof databases) and from ~2,000 speakers (cf. ~100 earlier). The database contains attacks generated with 32 different algorithms, also crowdsourced, and optimised to varying degrees using new surrogate detection models. Among them are attacks generated with a mix of legacy and contemporary text-to-speech synthesis and voice conversion models, in addition to adversarial attacks which are incorporated for the first time. ASVspoof 5 protocols comprise seven speaker-disjoint partitions. They include two distinct partitions for the training of different sets of attack models, two more for the development and evaluation of surrogate detection models, and then three additional partitions which comprise the ASVspoof 5 training, development and evaluation sets. An auxiliary set of data collected from an additional 30k speakers can also be used to train speaker encoders for the implementation of attack algorithms. Also described herein is an experimental validation of the new ASVspoof 5 database using a set of automatic speaker verification and spoof/deepfake baseline detectors. With the exception of protocols and tools for the generation of spoofed/deepfake speech, the resources described in this paper, already used by participants of the ASVspoof 5 challenge in 2024, are now all freely available to the community.

Piano Transcription by Hierarchical Language Modeling with Pretrained Roll-based Encoders

Automatic Music Transcription (AMT), aiming to get musical notes from raw audio, typically uses frame-level systems with piano-roll outputs or language model (LM)-based systems with note-level predictions. However, frame-level systems require manual thresholding, while the LM-based systems struggle with long sequences. In this paper, we propose a hybrid method combining pre-trained roll-based encoders with an LM decoder to leverage the strengths of both methods. Besides, our approach employs a hierarchical prediction strategy, first predicting onset and pitch, then velocity, and finally offset. The hierarchical prediction strategy reduces computational costs by breaking down long sequences into different hierarchies. Evaluated on two benchmark roll-based encoders, our method outperforms traditional piano-roll outputs 0.01 and 0.022 in onset-offset-velocity F1 score, demonstrating its potential as a performance-enhancing plug-in for arbitrary roll-based music transcription encoder.

SVDD 2024: The Inaugural Singing Voice Deepfake Detection Challenge

With the advancements in singing voice generation and the growing presence of AI singers on media platforms, the inaugural Singing Voice Deepfake Detection (SVDD) Challenge aims to advance research in identifying AI-generated singing voices from authentic singers. This challenge features two tracks: a controlled setting track (CtrSVDD) and an in-the-wild scenario track (WildSVDD). The CtrSVDD track utilizes publicly available singing vocal data to generate deepfakes using state-of-the-art singing voice synthesis and conversion systems. Meanwhile, the WildSVDD track expands upon the existing SingFake dataset, which includes data sourced from popular user-generated content websites. For the CtrSVDD track, we received submissions from 47 teams, with 37 surpassing our baselines and the top team achieving a 1.65% equal error rate. For the WildSVDD track, we benchmarked the baselines. This paper reviews these results, discusses key findings, and outlines future directions for SVDD research.

The Interpretation Gap in Text-to-Music Generation Models

Large-scale text-to-music generation models have significantly enhanced music creation capabilities, offering unprecedented creative freedom. However, their ability to collaborate effectively with human musicians remains limited. In this paper, we propose a framework to describe the musical interaction process, which includes expression, interpretation, and execution of controls. Following this framework, we argue that the primary gap between existing text-to-music models and musicians lies in the interpretation stage, where models lack the ability to interpret controls from musicians. We also propose two strategies to address this gap and call on the music information retrieval community to tackle the interpretation challenge to improve human-AI musical collaboration.

CtrSVDD: A Benchmark Dataset and Baseline Analysis for Controlled Singing Voice Deepfake Detection

Recent singing voice synthesis and conversion advancements necessitate robust singing voice deepfake detection (SVDD) models. Current SVDD datasets face challenges due to limited controllability, diversity in deepfake methods, and licensing restrictions. Addressing these gaps, we introduce CtrSVDD, a large-scale, diverse collection of bonafide and deepfake singing vocals. These vocals are synthesized using state-of-the-art methods from publicly accessible singing voice datasets. CtrSVDD includes 47.64 hours of bonafide and 260.34 hours of deepfake singing vocals, spanning 14 deepfake methods and involving 164 singer identities. We also present a baseline system with flexible front-end features, evaluated against a structured train/dev/eval split. The experiments show the importance of feature selection and highlight a need for generalization towards deepfake methods that deviate further from training distribution. The CtrSVDD dataset and baselines are publicly accessible.

Ambisonizer: Neural Upmixing as Spherical Harmonics Generation

Neural upmixing, the task of generating immersive music with an increased number of channels from fewer input channels, has been an active research area, with mono-to-stereo and stereo-to-surround upmixing treated as separate problems. In this paper, we propose a unified approach to neural upmixing by formulating it as spherical harmonics - more specifically, Ambisonic generation. We explicitly formulate mono upmixing as unconditional generation and stereo upmixing as conditional generation, where the stereo signals serve as conditions. We provide evidence that our proposed methodology, when decoded to stereo, matches a strong commercial stereo widener in subjective ratings. Overall, our work presents direct upmixing to Ambisonic format as a strong and promising approach to neural upmixing. A discussion on limitations is also provided.

SVDD Challenge 2024: A Singing Voice Deepfake Detection Challenge Evaluation Plan

The rapid advancement of AI-generated singing voices, which now closely mimic natural human singing and align seamlessly with musical scores, has led to heightened concerns for artists and the music industry. Unlike spoken voice, singing voice presents unique challenges due to its musical nature and the presence of strong background music, making singing voice deepfake detection (SVDD) a specialized field requiring focused attention. To promote SVDD research, we recently proposed the "SVDD Challenge," the very first research challenge focusing on SVDD for lab-controlled and in-the-wild bonafide and deepfake singing voice recordings. The challenge will be held in conjunction with the 2024 IEEE Spoken Language Technology Workshop (SLT 2024).

SynthTab: Leveraging Synthesized Data for Guitar Tablature Transcription

Guitar tablature is a form of music notation widely used among guitarists. It captures not only the musical content of a piece, but also its implementation and ornamentation on the instrument. Guitar Tablature Transcription (GTT) is an important task with broad applications in music education and entertainment. Existing datasets are limited in size and scope, causing state-of-the-art GTT models trained on such datasets to suffer from overfitting and to fail in generalization across datasets. To address this issue, we developed a methodology for synthesizing SynthTab, a large-scale guitar tablature transcription dataset using multiple commercial acoustic and electric guitar plugins. This dataset is built on tablatures from DadaGP, which offers a vast collection and the degree of specificity we wish to transcribe. The proposed synthesis pipeline produces audio which faithfully adheres to the original fingerings, styles, and techniques specified in the tablature with diverse timbre. Experiments show that pre-training state-of-the-art GTT model on SynthTab improves transcription accuracy in same-dataset tests. More importantly, it significantly mitigates overfitting problems of GTT models in cross-dataset evaluation.

SingFake: Singing Voice Deepfake Detection

The rise of singing voice synthesis presents critical challenges to artists and industry stakeholders over unauthorized voice usage. Unlike synthesized speech, synthesized singing voices are typically released in songs containing strong background music that may hide synthesis artifacts. Additionally, singing voices present different acoustic and linguistic characteristics from speech utterances. These unique properties make singing voice deepfake detection a relevant but significantly different problem from synthetic speech detection. In this work, we propose the singing voice deepfake detection task. We first present SingFake, the first curated in-the-wild dataset consisting of 28.93 hours of bonafide and 29.40 hours of deepfake song clips in five languages from 40 singers. We provide a train/val/test split where the test sets include various scenarios. We then use SingFake to evaluate four state-of-the-art speech countermeasure systems trained on speech utterances. We find these systems lag significantly behind their performance on speech test data. When trained on SingFake, either using separated vocal tracks or song mixtures, these systems show substantial improvement. However, our evaluations also identify challenges associated with unseen singers, communication codecs, languages, and musical contexts, calling for dedicated research into singing voice deepfake detection. The SingFake dataset and related resources are available online.

Phase perturbation improves channel robustness for speech spoofing countermeasures

In this paper, we aim to address the problem of channel robustness in speech countermeasure (CM) systems, which are used to distinguish synthetic speech from human natural speech. On the basis of two hypotheses, we suggest an approach for perturbing phase information during the training of time-domain CM systems. Communication networks often employ lossy compression codec that encodes only magnitude information, therefore heavily altering phase information. Also, state-of-the-art CM systems rely on phase information to identify spoofed speech. Thus, we believe the information loss in the phase domain induced by lossy compression codec degrades the performance of the unseen channel. We first establish the dependence of time-domain CM systems on phase information by perturbing phase in evaluation, showing strong degradation. Then, we demonstrated that perturbing phase during training leads to a significant performance improvement, whereas perturbing magnitude leads to further degradation.