Analysis and Extension of Noisy-target Training for Unsupervised Target Signal Enhancement

Deep neural network-based target signal enhancement (TSE) is usually trained in a supervised manner using clean target signals. However, collecting clean target signals is costly and such signals are not always available. Thus, it is desirable to develop an unsupervised method that does not rely on clean target signals. Among various studies on unsupervised TSE methods, Noisy-target Training (NyTT) has been established as a fundamental method. NyTT simply replaces clean target signals with noisy ones in the typical supervised training, and it has been experimentally shown to achieve TSE. Despite its effectiveness and simplicity, its mechanism and detailed behavior are still unclear. In this paper, to advance NyTT and, thus, unsupervised methods as a whole, we analyze NyTT from various perspectives. We experimentally demonstrate the mechanism of NyTT, the desirable conditions, and the effectiveness of utilizing noisy signals in situations where a small number of clean target signals are available. Furthermore, we propose an improved version of NyTT based on its properties and explore its capabilities in the dereverberation and declipping tasks, beyond the denoising task.

Serenade: A Singing Style Conversion Framework Based On Audio Infilling

We propose Serenade, a novel framework for the singing style conversion (SSC) task. Although singer identity conversion has made great strides in the previous years, converting the singing style of a singer has been an unexplored research area. We find three main challenges in SSC: modeling the target style, disentangling source style, and retaining the source melody. To model the target singing style, we use an audio infilling task by predicting a masked segment of the target mel-spectrogram with a flow-matching model using the complement of the masked target mel-spectrogram along with disentangled acoustic features. On the other hand, to disentangle the source singing style, we use a cyclic training approach, where we use synthetic converted samples as source inputs and reconstruct the original source mel-spectrogram as a target. Finally, to retain the source melody better, we investigate a post-processing module using a source-filter-based vocoder and resynthesize the converted waveforms using the original F0 patterns. Our results showed that the Serenade framework can handle generalized SSC tasks with the best overall similarity score, especially in modeling breathy and mixed singing styles. Moreover, although resynthesizing with the original F0 patterns alleviated out-of-tune singing and improved naturalness, we found a slight tradeoff in similarity due to not changing the F0 patterns into the target style.

Handling Domain Shifts for Anomalous Sound Detection: A Review of DCASE-Related Work

When detecting anomalous sounds in complex environments, one of the main difficulties is that trained models must be sensitive to subtle differences in monitored target signals, while many practical applications also require them to be insensitive to changes in acoustic domains. Examples of such domain shifts include changing the type of microphone or the location of acoustic sensors, which can have a much stronger impact on the acoustic signal than subtle anomalies themselves. Moreover, users typically aim to train a model only on source domain data, which they may have a relatively large collection of, and they hope that such a trained model will be able to generalize well to an unseen target domain by providing only a minimal number of samples to characterize the acoustic signals in that domain. In this work, we review and discuss recent publications focusing on this domain generalization problem for anomalous sound detection in the context of the DCASE challenges on acoustic machine condition monitoring.

Investigation of perceptual music similarity focusing on each instrumental part

This paper presents an investigation of perceptual similarity between music tracks focusing on each individual instrumental part based on a large-scale listening test towards developing an instrumental-part-based music retrieval. In the listening test, 586 subjects evaluate the perceptual similarity of the audio tracks through an ABX test. We use the music tracks and their stems in the test set of the slakh2100 dataset. The perceptual similarity is evaluated based on four perspectives: timbre, rhythm, melody, and overall. We have analyzed the results of the listening test and have found that 1) perceptual music similarity varies depending on which instrumental part is focused on within each track; 2) rhythm and melody tend to have a larger impact on the perceptual music similarity than timbre except for the melody of drums; and 3) the previously proposed music similarity features tend to capture the perceptual similarity on timbre mainly.

Wavehax: Aliasing-Free Neural Waveform Synthesis Based on 2D Convolution and Harmonic Prior for Reliable Complex Spectrogram Estimation

Neural vocoders often struggle with aliasing in latent feature spaces, caused by time-domain nonlinear operations and resampling layers. Aliasing folds high-frequency components into the low-frequency range, making aliased and original frequency components indistinguishable and introducing two practical issues. First, aliasing complicates the waveform generation process, as the subsequent layers must address these aliasing effects, increasing the computational complexity. Second, it limits extrapolation performance, particularly in handling high fundamental frequencies, which degrades the perceptual quality of generated speech waveforms. This paper demonstrates that 1) time-domain nonlinear operations inevitably introduce aliasing but provide a strong inductive bias for harmonic generation, and 2) time-frequency-domain processing can achieve aliasing-free waveform synthesis but lacks the inductive bias for effective harmonic generation. Building on this insight, we propose Wavehax, an aliasing-free neural WAVEform generator that integrates 2D convolution and a HArmonic prior for reliable Complex Spectrogram estimation. Experimental results show that Wavehax achieves speech quality comparable to existing high-fidelity neural vocoders and exhibits exceptional robustness in scenarios requiring high fundamental frequency extrapolation, where aliasing effects become typically severe. Moreover, Wavehax requires less than 5% of the multiply-accumulate operations and model parameters compared to HiFi-GAN V1, while achieving over four times faster CPU inference speed.

MOS-Bench: Benchmarking Generalization Abilities of Subjective Speech Quality Assessment Models

Subjective speech quality assessment (SSQA) is critical for evaluating speech samples as perceived by human listeners. While model-based SSQA has enjoyed great success thanks to the development of deep neural networks (DNNs), generalization remains a key challenge, especially for unseen, out-of-domain data. To benchmark the generalization abilities of SSQA models, we present MOS-Bench, a diverse collection of datasets. In addition, we also introduce SHEET, an open-source toolkit containing complete recipes to conduct SSQA experiments. We provided benchmark results for MOS-Bench, and we also explored multi-dataset training to enhance generalization. Additionally, we proposed a new performance metric, best score difference/ratio, and used latent space visualizations to explain model behavior, offering valuable insights for future research.

Improved Architecture for High-resolution Piano Transcription to Efficiently Capture Acoustic Characteristics of Music Signals

Automatic music transcription (AMT), aiming to convert musical signals into musical notation, is one of the important tasks in music information retrieval. Recently, previous works have applied high-resolution labels, i.e., the continuous onset and offset times of piano notes, as training targets, achieving substantial improvements in transcription performance. However, there still remain some issues to be addressed, e.g., the harmonics of notes are sometimes recognized as false positive notes, and the size of AMT model tends to be larger to improve the transcription performance. To address these issues, we propose an improved high-resolution piano transcription model to well capture specific acoustic characteristics of music signals. First, we employ the Constant-Q Transform as the input representation to better adapt to musical signals. Moreover, we have designed two architectures: the first is based on a convolutional recurrent neural network (CRNN) with dilated convolution, and the second is an encoder-decoder architecture that combines CRNN with a non-autoregressive Transformer decoder. We conduct systematic experiments for our models. Compared to the high-resolution AMT system used as a baseline, our models effectively achieve 1) consistent improvement in note-level metrics, and 2) the significant smaller model size, which shed lights on future work.

Two-stage Framework for Robust Speech Emotion Recognition Using Target Speaker Extraction in Human Speech Noise Conditions

Developing a robust speech emotion recognition (SER) system in noisy conditions faces challenges posed by different noise properties. Most previous studies have not considered the impact of human speech noise, thus limiting the application scope of SER. In this paper, we propose a novel two-stage framework for the problem by cascading target speaker extraction (TSE) method and SER. We first train a TSE model to extract the speech of target speaker from a mixture. Then, in the second stage, we utilize the extracted speech for SER training. Additionally, we explore a joint training of TSE and SER models in the second stage. Our developed system achieves a 14.33% improvement in unweighted accuracy (UA) compared to a baseline without using TSE method, demonstrating the effectiveness of our framework in mitigating the impact of human speech noise. Moreover, we conduct experiments considering speaker gender, showing that our framework performs particularly well in different-gender mixture.

Improvements of Discriminative Feature Space Training for Anomalous Sound Detection in Unlabeled Conditions

In anomalous sound detection, the discriminative method has demonstrated superior performance. This approach constructs a discriminative feature space through the classification of the meta-information labels for normal sounds. This feature space reflects the differences in machine sounds and effectively captures anomalous sounds. However, its performance significantly degrades when the meta-information labels are missing. In this paper, we improve the performance of a discriminative method under unlabeled conditions by two approaches. First, we enhance the feature extractor to perform better under unlabeled conditions. Our enhanced feature extractor utilizes multi-resolution spectrograms with a new training strategy. Second, we propose various pseudo-labeling methods to effectively train the feature extractor. The experimental evaluations show that the proposed feature extractor and pseudo-labeling methods significantly improve performance under unlabeled conditions.

The VoiceMOS Challenge 2024: Beyond Speech Quality Prediction

We present the third edition of the VoiceMOS Challenge, a scientific initiative designed to advance research into automatic prediction of human speech ratings. There were three tracks. The first track was on predicting the quality of ``zoomed-in'' high-quality samples from speech synthesis systems. The second track was to predict ratings of samples from singing voice synthesis and voice conversion with a large variety of systems, listeners, and languages. The third track was semi-supervised quality prediction for noisy, clean, and enhanced speech, where a very small amount of labeled training data was provided. Among the eight teams from both academia and industry, we found that many were able to outperform the baseline systems. Successful techniques included retrieval-based methods and the use of non-self-supervised representations like spectrograms and pitch histograms. These results showed that the challenge has advanced the field of subjective speech rating prediction.