Sound Scene Synthesis at the DCASE 2024 Challenge

This paper presents Task 7 at the DCASE 2024 Challenge: sound scene synthesis. Recent advances in sound synthesis and generative models have enabled the creation of realistic and diverse audio content. We introduce a standardized evaluation framework for comparing different sound scene synthesis systems, incorporating both objective and subjective metrics. The challenge attracted four submissions, which are evaluated using the Fr\'echet Audio Distance (FAD) and human perceptual ratings. Our analysis reveals significant insights into the current capabilities and limitations of sound scene synthesis systems, while also highlighting areas for future improvement in this rapidly evolving field.

Trainingless Adaptation of Pretrained Models for Environmental Sound Classification

Deep neural network (DNN)-based models for environmental sound classification are not robust against a domain to which training data do not belong, that is, out-of-distribution or unseen data. To utilize pretrained models for the unseen domain, adaptation methods, such as finetuning and transfer learning, are used with rich computing resources, e.g., the graphical processing unit (GPU). However, it is becoming more difficult to keep up with research trends for those who have poor computing resources because state-of-the-art models are becoming computationally resource-intensive. In this paper, we propose a trainingless adaptation method for pretrained models for environmental sound classification. To introduce the trainingless adaptation method, we first propose an operation of recovering time--frequency-ish (TF-ish) structures in intermediate layers of DNN models. We then propose the trainingless frequency filtering method for domain adaptation, which is not a gradient-based optimization widely used. The experiments conducted using the ESC-50 dataset show that the proposed adaptation method improves the classification accuracy by 20.40 percentage points compared with the conventional method.

DOA-Aware Audio-Visual Self-Supervised Learning for Sound Event Localization and Detection

This paper describes sound event localization and detection (SELD) for spatial audio recordings captured by firstorder ambisonics (FOA) microphones. In this task, one may train a deep neural network (DNN) using FOA data annotated with the classes and directions of arrival (DOAs) of sound events. However, the performance of this approach is severely bounded by the amount of annotated data. To overcome this limitation, we propose a novel method of pretraining the feature extraction part of the DNN in a self-supervised manner. We use spatial audio-visual recordings abundantly available as virtual reality contents. Assuming that sound objects are concurrently observed by the FOA microphones and the omni-directional camera, we jointly train audio and visual encoders with contrastive learning such that the audio and visual embeddings of the same recording and DOA are made close. A key feature of our method is that the DOA-wise audio embeddings are jointly extracted from the raw audio data, while the DOA-wise visual embeddings are separately extracted from the local visual crops centered on the corresponding DOA. This encourages the latent features of the audio encoder to represent both the classes and DOAs of sound events. The experiment using the DCASE2022 Task 3 dataset of 20 hours shows non-annotated audio-visual recordings of 100 hours reduced the error score of SELD from 36.4 pts to 34.9 pts.

Challenge on Sound Scene Synthesis: Evaluating Text-to-Audio Generation

Despite significant advancements in neural text-to-audio generation, challenges persist in controllability and evaluation. This paper addresses these issues through the Sound Scene Synthesis challenge held as part of the Detection and Classification of Acoustic Scenes and Events 2024. We present an evaluation protocol combining objective metric, namely Fr\'echet Audio Distance, with perceptual assessments, utilizing a structured prompt format to enable diverse captions and effective evaluation. Our analysis reveals varying performance across sound categories and model architectures, with larger models generally excelling but innovative lightweight approaches also showing promise. The strong correlation between objective metrics and human ratings validates our evaluation approach. We discuss outcomes in terms of audio quality, controllability, and architectural considerations for text-to-audio synthesizers, providing direction for future research.

Construction and Analysis of Impression Caption Dataset for Environmental Sounds

Some datasets with the described content and order of occurrence of sounds have been released for conversion between environmental sound and text. However, there are very few texts that include information on the impressions humans feel, such as "sharp" and "gorgeous," when they hear environmental sounds. In this study, we constructed a dataset with impression captions for environmental sounds that describe the impressions humans have when hearing these sounds. We used ChatGPT to generate impression captions and selected the most appropriate captions for sound by humans. Our dataset consists of 3,600 impression captions for environmental sounds. To evaluate the appropriateness of impression captions for environmental sounds, we conducted subjective and objective evaluations. From our evaluation results, we indicate that appropriate impression captions for environmental sounds can be generated.

LEAD Dataset: How Can Labels for Sound Event Detection Vary Depending on Annotators?

In this paper, we introduce a LargE-scale Annotator's labels for sound event Detection (LEAD) dataset, which is the dataset used to gain a better understanding of the variation in strong labels in sound event detection (SED). In SED, it is very time-consuming to collect large-scale strong labels, and in most cases, multiple workers divide up the annotations to create a single dataset. In general, strong labels created by multiple annotators have large variations in the type of sound events and temporal onset/offset. Through the annotations of multiple workers, uniquely determining the strong label is quite difficult because the dataset contains sounds that can be mistaken for similar classes and sounds whose temporal onset/offset is difficult to distinguish. If the strong labels of SED vary greatly depending on the annotator, the SED model trained on a dataset created by multiple annotators will be biased. Moreover, if annotators differ between training and evaluation data, there is a risk that the model cannot be evaluated correctly. To investigate the variation in strong labels, we release the LEAD dataset, which provides distinct strong labels for each clip annotated by 20 different annotators. The LEAD dataset allows us to investigate how strong labels vary from annotator to annotator and consider SED models that are robust to the variation of strong labels. The LEAD dataset consists of strong labels assigned to sound clips from TUT Sound Events 2016/2017, TUT Acoustic Scenes 2016, and URBAN-SED. We also analyze variations in the strong labels in the LEAD dataset and provide insights into the variations.

Description and Discussion on DCASE 2024 Challenge Task 2: First-Shot Unsupervised Anomalous Sound Detection for Machine Condition Monitoring

We present the task description of the Detection and Classification of Acoustic Scenes and Events (DCASE) 2024 Challenge Task 2: First-shot unsupervised anomalous sound detection (ASD) for machine condition monitoring. Continuing from last year's DCASE 2023 Challenge Task 2, we organize the task as a first-shot problem under domain generalization required settings. The main goal of the first-shot problem is to enable rapid deployment of ASD systems for new kinds of machines without the need for machine-specific hyperparameter tunings. This problem setting was realized by (1) giving only one section for each machine type and (2) having completely different machine types for the development and evaluation datasets. For the DCASE 2024 Challenge Task 2, data of completely new machine types were newly collected and provided as the evaluation dataset. In addition, attribute information such as the machine operation conditions were concealed for several machine types to mimic situations where such information are unavailable. We will add challenge results and analysis of the submissions after the challenge submission deadline.

M2D-CLAP: Masked Modeling Duo Meets CLAP for Learning General-purpose Audio-Language Representation

Contrastive language-audio pre-training (CLAP) enables zero-shot (ZS) inference of audio and exhibits promising performance in several classification tasks. However, conventional audio representations are still crucial for many tasks where ZS is not applicable (e.g., regression problems). Here, we explore a new representation, a general-purpose audio-language representation, that performs well in both ZS and transfer learning. To do so, we propose a new method, M2D-CLAP, which combines self-supervised learning Masked Modeling Duo (M2D) and CLAP. M2D learns an effective representation to model audio signals, and CLAP aligns the representation with text embedding. As a result, M2D-CLAP learns a versatile representation that allows for both ZS and transfer learning. Experiments show that M2D-CLAP performs well on linear evaluation, fine-tuning, and ZS classification with a GTZAN state-of-the-art of 75.17%, thus achieving a general-purpose audio-language representation.

Correlation of Fréchet Audio Distance With Human Perception of Environmental Audio Is Embedding Dependant

This paper explores whether considering alternative domain-specific embeddings to calculate the Fr\'echet Audio Distance (FAD) metric can help the FAD to correlate better with perceptual ratings of environmental sounds. We used embeddings from VGGish, PANNs, MS-CLAP, L-CLAP, and MERT, which are tailored for either music or environmental sound evaluation. The FAD scores were calculated for sounds from the DCASE 2023 Task 7 dataset. Using perceptual data from the same task, we find that PANNs-WGM-LogMel produces the best correlation between FAD scores and perceptual ratings of both audio quality and perceived fit with a Spearman correlation higher than 0.5. We also find that music-specific embeddings resulted in significantly lower results. Interestingly, VGGish, the embedding used for the original Fr\'echet calculation, yielded a correlation below 0.1. These results underscore the critical importance of the choice of embedding for the FAD metric design.

Discriminative Neighborhood Smoothing for Generative Anomalous Sound Detection

We propose discriminative neighborhood smoothing of generative anomaly scores for anomalous sound detection. While the discriminative approach is known to achieve better performance than generative approaches often, we have found that it sometimes causes significant performance degradation due to the discrepancy between the training and test data, making it less robust than the generative approach. Our proposed method aims to compensate for the disadvantages of generative and discriminative approaches by combining them. Generative anomaly scores are smoothed using multiple samples with similar discriminative features to improve the performance of the generative approach in an ensemble manner while keeping its robustness. Experimental results show that our proposed method greatly improves the original generative method, including absolute improvement of 22% in AUC and robustly works, while a discriminative method suffers from the discrepancy.