Color-based Emotion Representation for Speech Emotion Recognition

Speech emotion recognition (SER) has traditionally relied on categorical or dimensional labels. However, this technique is limited in representing both the diversity and interpretability of emotions. To overcome this limitation, we focus on color attributes, such as hue, saturation, and value, to represent emotions as continuous and interpretable scores. We annotated an emotional speech corpus with color attributes via crowdsourcing and analyzed them. Moreover, we built regression models for color attributes in SER using machine learning and deep learning, and explored the multitask learning of color attribute regression and emotion classification. As a result, we demonstrated the relationship between color attributes and emotions in speech, and successfully developed color attribute regression models for SER. We also showed that multitask learning improved the performance of each task.

Construction and Analysis of Impression Caption Dataset for Environmental Sounds

Some datasets with the described content and order of occurrence of sounds have been released for conversion between environmental sound and text. However, there are very few texts that include information on the impressions humans feel, such as "sharp" and "gorgeous," when they hear environmental sounds. In this study, we constructed a dataset with impression captions for environmental sounds that describe the impressions humans have when hearing these sounds. We used ChatGPT to generate impression captions and selected the most appropriate captions for sound by humans. Our dataset consists of 3,600 impression captions for environmental sounds. To evaluate the appropriateness of impression captions for environmental sounds, we conducted subjective and objective evaluations. From our evaluation results, we indicate that appropriate impression captions for environmental sounds can be generated.

Can We Estimate Purchase Intention Based on Zero-shot Speech Emotion Recognition?

This paper proposes a zero-shot speech emotion recognition (SER) method that estimates emotions not previously defined in the SER model training. Conventional methods are limited to recognizing emotions defined by a single word. Moreover, we have the motivation to recognize unknown bipolar emotions such as ``I want to buy - I do not want to buy.'' In order to allow the model to define classes using sentences freely and to estimate unknown bipolar emotions, our proposed method expands upon the contrastive language-audio pre-training (CLAP) framework by introducing multi-class and multi-task settings. We also focus on purchase intention as a bipolar emotion and investigate the model's performance to zero-shot estimate it. This study is the first attempt to estimate purchase intention from speech directly. Experiments confirm that the results of zero-shot estimation by the proposed method are at the same level as those of the model trained by supervised learning.

Environmental sound conversion from vocal imitations and sound event labels

One way of expressing an environmental sound is using vocal imitations, which involve the process of replicating or mimicking the rhythms and pitches of sounds by voice. We can effectively express the features of environmental sounds, such as rhythms and pitches, using vocal imitations, which cannot be expressed by conventional input information, such as sound event labels, images, and texts, in an environmental sound synthesis model. Therefore, using vocal imitations as input for environmental sound synthesis will enable us to control the pitches and rhythms of sounds and generate diverse sounds. In this paper, we thus propose a framework for environmental sound conversion from vocal imitations to generate diverse sounds. We also propose a method of environmental sound synthesis from vocal imitations and sound event labels. Using sound event labels is expected to control the sound event class of the synthesized sound, which cannot be controlled by only vocal imitations. Our objective and subjective experimental results show that vocal imitations effectively control the pitches and rhythms of sounds and generate diverse sounds.