Abstract:The Song Generation task aims to synthesize music composed of vocals and accompaniment from given lyrics. While the existing method, Jukebox, has explored this task, its constrained control over the generations often leads to deficiency in music performance. To mitigate the issue, we introduce an important concept from music composition, namely chords, to song generation networks. Chords form the foundation of accompaniment and provide vocal melody with associated harmony. Given the inaccuracy of automatic chord extractors, we devise a robust cross-attention mechanism augmented with dynamic weight sequence to integrate extracted chord information into song generations and reduce frame-level flaws, and propose a novel model termed Chord-Conditioned Song Generator (CSG) based on it. Experimental evidence demonstrates our proposed method outperforms other approaches in terms of musical performance and control precision of generated songs.
Abstract:Music is an integral part of human culture, embodying human intelligence and creativity, of which songs compose an essential part. While various aspects of song generation have been explored by previous works, such as singing voice, vocal composition and instrumental arrangement, etc., generating songs with both vocals and accompaniment given lyrics remains a significant challenge, hindering the application of music generation models in the real world. In this light, we propose SongCreator, a song-generation system designed to tackle this challenge. The model features two novel designs: a meticulously designed dual-sequence language model (DSLM) to capture the information of vocals and accompaniment for song generation, and an additional attention mask strategy for DSLM, which allows our model to understand, generate and edit songs, making it suitable for various song-related generation tasks. Extensive experiments demonstrate the effectiveness of SongCreator by achieving state-of-the-art or competitive performances on all eight tasks. Notably, it surpasses previous works by a large margin in lyrics-to-song and lyrics-to-vocals. Additionally, it is able to independently control the acoustic conditions of the vocals and accompaniment in the generated song through different prompts, exhibiting its potential applicability. Our samples are available at https://songcreator.github.io/.
Abstract:Recent AIGC systems possess the capability to generate digital multimedia content based on human language instructions, such as text, image and video. However, when it comes to speech, existing methods related to human instruction-to-speech generation exhibit two limitations. Firstly, they require the division of inputs into content prompt (transcript) and description prompt (style and speaker), instead of directly supporting human instruction. This division is less natural in form and does not align with other AIGC models. Secondly, the practice of utilizing an independent description prompt to model speech style, without considering the transcript content, restricts the ability to control speech at a fine-grained level. To address these limitations, we propose VoxInstruct, a novel unified multilingual codec language modeling framework that extends traditional text-to-speech tasks into a general human instruction-to-speech task. Our approach enhances the expressiveness of human instruction-guided speech generation and aligns the speech generation paradigm with other modalities. To enable the model to automatically extract the content of synthesized speech from raw text instructions, we introduce speech semantic tokens as an intermediate representation for instruction-to-content guidance. We also incorporate multiple Classifier-Free Guidance (CFG) strategies into our codec language model, which strengthens the generated speech following human instructions. Furthermore, our model architecture and training strategies allow for the simultaneous support of combining speech prompt and descriptive human instruction for expressive speech synthesis, which is a first-of-its-kind attempt. Codes, models and demos are at: https://github.com/thuhcsi/VoxInstruct.
Abstract:In recent years, foundation models (FMs) such as large language models (LLMs) and latent diffusion models (LDMs) have profoundly impacted diverse sectors, including music. This comprehensive review examines state-of-the-art (SOTA) pre-trained models and foundation models in music, spanning from representation learning, generative learning and multimodal learning. We first contextualise the significance of music in various industries and trace the evolution of AI in music. By delineating the modalities targeted by foundation models, we discover many of the music representations are underexplored in FM development. Then, emphasis is placed on the lack of versatility of previous methods on diverse music applications, along with the potential of FMs in music understanding, generation and medical application. By comprehensively exploring the details of the model pre-training paradigm, architectural choices, tokenisation, finetuning methodologies and controllability, we emphasise the important topics that should have been well explored, like instruction tuning and in-context learning, scaling law and emergent ability, as well as long-sequence modelling etc. A dedicated section presents insights into music agents, accompanied by a thorough analysis of datasets and evaluations essential for pre-training and downstream tasks. Finally, by underscoring the vital importance of ethical considerations, we advocate that following research on FM for music should focus more on such issues as interpretability, transparency, human responsibility, and copyright issues. The paper offers insights into future challenges and trends on FMs for music, aiming to shape the trajectory of human-AI collaboration in the music realm.
Abstract:This paper presents the multi-speaker multi-lingual few-shot voice cloning system developed by THU-HCSI team for LIMMITS'24 Challenge. To achieve high speaker similarity and naturalness in both mono-lingual and cross-lingual scenarios, we build the system upon YourTTS and add several enhancements. For further improving speaker similarity and speech quality, we introduce speaker-aware text encoder and flow-based decoder with Transformer blocks. In addition, we denoise the few-shot data, mix up them with pre-training data, and adopt a speaker-balanced sampling strategy to guarantee effective fine-tuning for target speakers. The official evaluations in track 1 show that our system achieves the best speaker similarity MOS of 4.25 and obtains considerable naturalness MOS of 3.97.
Abstract:Graph neural networks (GNNs) have exhibited impressive performance in modeling graph data as exemplified in various applications. Recently, the GNN calibration problem has attracted increasing attention, especially in cost-sensitive scenarios. Previous work has gained empirical insights on the issue, and devised effective approaches for it, but theoretical supports still fall short. In this work, we shed light on the relationship between GNN calibration and nodewise similarity via theoretical analysis. A novel calibration framework, named SimCalib, is accordingly proposed to consider similarity between nodes at global and local levels. At the global level, the Mahalanobis distance between the current node and class prototypes is integrated to implicitly consider similarity between the current node and all nodes in the same class. At the local level, the similarity of node representation movement dynamics, quantified by nodewise homophily and relative degree, is considered. Informed about the application of nodewise movement patterns in analyzing nodewise behavior on the over-smoothing problem, we empirically present a possible relationship between over-smoothing and GNN calibration problem. Experimentally, we discover a correlation between nodewise similarity and model calibration improvement, in alignment with our theoretical results. Additionally, we conduct extensive experiments investigating different design factors and demonstrate the effectiveness of our proposed SimCalib framework for GNN calibration by achieving state-of-the-art performance on 14 out of 16 benchmarks.
Abstract:Speech-driven 3D facial animation aims at generating facial movements that are synchronized with the driving speech, which has been widely explored recently. Existing works mostly neglect the person-specific talking style in generation, including facial expression and head pose styles. Several works intend to capture the personalities by fine-tuning modules. However, limited training data leads to the lack of vividness. In this work, we propose AdaMesh, a novel adaptive speech-driven facial animation approach, which learns the personalized talking style from a reference video of about 10 seconds and generates vivid facial expressions and head poses. Specifically, we propose mixture-of-low-rank adaptation (MoLoRA) to fine-tune the expression adapter, which efficiently captures the facial expression style. For the personalized pose style, we propose a pose adapter by building a discrete pose prior and retrieving the appropriate style embedding with a semantic-aware pose style matrix without fine-tuning. Extensive experimental results show that our approach outperforms state-of-the-art methods, preserves the talking style in the reference video, and generates vivid facial animation. The supplementary video and code will be available at https://adamesh.github.io.
Abstract:Zero-shot text-to-speech (TTS) synthesis aims to clone any unseen speaker's voice without adaptation parameters. By quantizing speech waveform into discrete acoustic tokens and modeling these tokens with the language model, recent language model-based TTS models show zero-shot speaker adaptation capabilities with only a 3-second acoustic prompt of an unseen speaker. However, they are limited by the length of the acoustic prompt, which makes it difficult to clone personal speaking style. In this paper, we propose a novel zero-shot TTS model with the multi-scale acoustic prompts based on a neural codec language model VALL-E. A speaker-aware text encoder is proposed to learn the personal speaking style at the phoneme-level from the style prompt consisting of multiple sentences. Following that, a VALL-E based acoustic decoder is utilized to model the timbre from the timbre prompt at the frame-level and generate speech. The experimental results show that our proposed method outperforms baselines in terms of naturalness and speaker similarity, and can achieve better performance by scaling out to a longer style prompt.
Abstract:The spontaneous behavior that often occurs in conversations makes speech more human-like compared to reading-style. However, synthesizing spontaneous-style speech is challenging due to the lack of high-quality spontaneous datasets and the high cost of labeling spontaneous behavior. In this paper, we propose a semi-supervised pre-training method to increase the amount of spontaneous-style speech and spontaneous behavioral labels. In the process of semi-supervised learning, both text and speech information are considered for detecting spontaneous behaviors labels in speech. Moreover, a linguistic-aware encoder is used to model the relationship between each sentence in the conversation. Experimental results indicate that our proposed method achieves superior expressive speech synthesis performance with the ability to model spontaneous behavior in spontaneous-style speech and predict reasonable spontaneous behavior from text.
Abstract:This paper presents an end-to-end high-quality singing voice synthesis (SVS) system that uses bidirectional encoder representation from Transformers (BERT) derived semantic embeddings to improve the expressiveness of the synthesized singing voice. Based on the main architecture of recently proposed VISinger, we put forward several specific designs for expressive singing voice synthesis. First, different from the previous SVS models, we use text representation of lyrics extracted from pre-trained BERT as additional input to the model. The representation contains information about semantics of the lyrics, which could help SVS system produce more expressive and natural voice. Second, we further introduce an energy predictor to stabilize the synthesized voice and model the wider range of energy variations that also contribute to the expressiveness of singing voice. Last but not the least, to attenuate the off-key issues, the pitch predictor is re-designed to predict the real to note pitch ratio. Both objective and subjective experimental results indicate that the proposed SVS system can produce singing voice with higher-quality outperforming VISinger.