ReCapture: Generative Video Camera Controls for User-Provided Videos using Masked Video Fine-Tuning

Recently, breakthroughs in video modeling have allowed for controllable camera trajectories in generated videos. However, these methods cannot be directly applied to user-provided videos that are not generated by a video model. In this paper, we present ReCapture, a method for generating new videos with novel camera trajectories from a single user-provided video. Our method allows us to re-generate the reference video, with all its existing scene motion, from vastly different angles and with cinematic camera motion. Notably, using our method we can also plausibly hallucinate parts of the scene that were not observable in the reference video. Our method works by (1) generating a noisy anchor video with a new camera trajectory using multiview diffusion models or depth-based point cloud rendering and then (2) regenerating the anchor video into a clean and temporally consistent reangled video using our proposed masked video fine-tuning technique.

VidPanos: Generative Panoramic Videos from Casual Panning Videos

Panoramic image stitching provides a unified, wide-angle view of a scene that extends beyond the camera's field of view. Stitching frames of a panning video into a panoramic photograph is a well-understood problem for stationary scenes, but when objects are moving, a still panorama cannot capture the scene. We present a method for synthesizing a panoramic video from a casually-captured panning video, as if the original video were captured with a wide-angle camera. We pose panorama synthesis as a space-time outpainting problem, where we aim to create a full panoramic video of the same length as the input video. Consistent completion of the space-time volume requires a powerful, realistic prior over video content and motion, for which we adapt generative video models. Existing generative models do not, however, immediately extend to panorama completion, as we show. We instead apply video generation as a component of our panorama synthesis system, and demonstrate how to exploit the strengths of the models while minimizing their limitations. Our system can create video panoramas for a range of in-the-wild scenes including people, vehicles, and flowing water, as well as stationary background features.

Imagen 3

We introduce Imagen 3, a latent diffusion model that generates high quality images from text prompts. We describe our quality and responsibility evaluations. Imagen 3 is preferred over other state-of-the-art (SOTA) models at the time of evaluation. In addition, we discuss issues around safety and representation, as well as methods we used to minimize the potential harm of our models.

Still-Moving: Customized Video Generation without Customized Video Data

Customizing text-to-image (T2I) models has seen tremendous progress recently, particularly in areas such as personalization, stylization, and conditional generation. However, expanding this progress to video generation is still in its infancy, primarily due to the lack of customized video data. In this work, we introduce Still-Moving, a novel generic framework for customizing a text-to-video (T2V) model, without requiring any customized video data. The framework applies to the prominent T2V design where the video model is built over a text-to-image (T2I) model (e.g., via inflation). We assume access to a customized version of the T2I model, trained only on still image data (e.g., using DreamBooth or StyleDrop). Naively plugging in the weights of the customized T2I model into the T2V model often leads to significant artifacts or insufficient adherence to the customization data. To overcome this issue, we train lightweight $\textit{Spatial Adapters}$ that adjust the features produced by the injected T2I layers. Importantly, our adapters are trained on $\textit{"frozen videos"}$ (i.e., repeated images), constructed from image samples generated by the customized T2I model. This training is facilitated by a novel $\textit{Motion Adapter}$ module, which allows us to train on such static videos while preserving the motion prior of the video model. At test time, we remove the Motion Adapter modules and leave in only the trained Spatial Adapters. This restores the motion prior of the T2V model while adhering to the spatial prior of the customized T2I model. We demonstrate the effectiveness of our approach on diverse tasks including personalized, stylized, and conditional generation. In all evaluated scenarios, our method seamlessly integrates the spatial prior of the customized T2I model with a motion prior supplied by the T2V model.

Lumiere: A Space-Time Diffusion Model for Video Generation

We introduce Lumiere -- a text-to-video diffusion model designed for synthesizing videos that portray realistic, diverse and coherent motion -- a pivotal challenge in video synthesis. To this end, we introduce a Space-Time U-Net architecture that generates the entire temporal duration of the video at once, through a single pass in the model. This is in contrast to existing video models which synthesize distant keyframes followed by temporal super-resolution -- an approach that inherently makes global temporal consistency difficult to achieve. By deploying both spatial and (importantly) temporal down- and up-sampling and leveraging a pre-trained text-to-image diffusion model, our model learns to directly generate a full-frame-rate, low-resolution video by processing it in multiple space-time scales. We demonstrate state-of-the-art text-to-video generation results, and show that our design easily facilitates a wide range of content creation tasks and video editing applications, including image-to-video, video inpainting, and stylized generation.

Teaching CLIP to Count to Ten

Large vision-language models (VLMs), such as CLIP, learn rich joint image-text representations, facilitating advances in numerous downstream tasks, including zero-shot classification and text-to-image generation. Nevertheless, existing VLMs exhibit a prominent well-documented limitation - they fail to encapsulate compositional concepts such as counting. We introduce a simple yet effective method to improve the quantitative understanding of VLMs, while maintaining their overall performance on common benchmarks. Specifically, we propose a new counting-contrastive loss used to finetune a pre-trained VLM in tandem with its original objective. Our counting loss is deployed over automatically-created counterfactual examples, each consisting of an image and a caption containing an incorrect object count. For example, an image depicting three dogs is paired with the caption "Six dogs playing in the yard". Our loss encourages discrimination between the correct caption and its counterfactual variant which serves as a hard negative example. To the best of our knowledge, this work is the first to extend CLIP's capabilities to object counting. Furthermore, we introduce "CountBench" - a new image-text counting benchmark for evaluating a model's understanding of object counting. We demonstrate a significant improvement over state-of-the-art baseline models on this task. Finally, we leverage our count-aware CLIP model for image retrieval and text-conditioned image generation, demonstrating that our model can produce specific counts of objects more reliably than existing ones.

The Slingshot Mechanism: An Empirical Study of Adaptive Optimizers and the Grokking Phenomenon

The grokking phenomenon as reported by Power et al. ( arXiv:2201.02177 ) refers to a regime where a long period of overfitting is followed by a seemingly sudden transition to perfect generalization. In this paper, we attempt to reveal the underpinnings of Grokking via a series of empirical studies. Specifically, we uncover an optimization anomaly plaguing adaptive optimizers at extremely late stages of training, referred to as the Slingshot Mechanism. A prominent artifact of the Slingshot Mechanism can be measured by the cyclic phase transitions between stable and unstable training regimes, and can be easily monitored by the cyclic behavior of the norm of the last layers weights. We empirically observe that without explicit regularization, Grokking as reported in ( arXiv:2201.02177 ) almost exclusively happens at the onset of Slingshots, and is absent without it. While common and easily reproduced in more general settings, the Slingshot Mechanism does not follow from any known optimization theories that we are aware of, and can be easily overlooked without an in depth examination. Our work points to a surprising and useful inductive bias of adaptive gradient optimizers at late stages of training, calling for a revised theoretical analysis of their origin.

No Token Left Behind: Explainability-Aided Image Classification and Generation

The application of zero-shot learning in computer vision has been revolutionized by the use of image-text matching models. The most notable example, CLIP, has been widely used for both zero-shot classification and guiding generative models with a text prompt. However, the zero-shot use of CLIP is unstable with respect to the phrasing of the input text, making it necessary to carefully engineer the prompts used. We find that this instability stems from a selective similarity score, which is based only on a subset of the semantically meaningful input tokens. To mitigate it, we present a novel explainability-based approach, which adds a loss term to ensure that CLIP focuses on all relevant semantic parts of the input, in addition to employing the CLIP similarity loss used in previous works. When applied to one-shot classification through prompt engineering, our method yields an improvement in the recognition rate, without additional training or fine-tuning. Additionally, we show that CLIP guidance of generative models using our method significantly improves the generated images. Finally, we demonstrate a novel use of CLIP guidance for text-based image generation with spatial conditioning on object location, by requiring the image explainability heatmap for each object to be confined to a pre-determined bounding box.

Image-Based CLIP-Guided Essence Transfer

The conceptual blending of two signals is a semantic task that may underline both creativity and intelligence. We propose to perform such blending in a way that incorporates two latent spaces: that of the generator network and that of the semantic network. For the first network, we employ the powerful StyleGAN generator, and for the second, the powerful image-language matching network of CLIP. The new method creates a blending operator that is optimized to be simultaneously additive in both latent spaces. Our results demonstrate that this leads to blending that is much more natural than what can be obtained in each space separately.