Click2Mask: Local Editing with Dynamic Mask Generation

Recent advancements in generative models have revolutionized image generation and editing, making these tasks accessible to non-experts. This paper focuses on local image editing, particularly the task of adding new content to a loosely specified area. Existing methods often require a precise mask or a detailed description of the location, which can be cumbersome and prone to errors. We propose Click2Mask, a novel approach that simplifies the local editing process by requiring only a single point of reference (in addition to the content description). A mask is dynamically grown around this point during a Blended Latent Diffusion (BLD) process, guided by a masked CLIP-based semantic loss. Click2Mask surpasses the limitations of segmentation-based and fine-tuning dependent methods, offering a more user-friendly and contextually accurate solution. Our experiments demonstrate that Click2Mask not only minimizes user effort but also delivers competitive or superior local image manipulation results compared to SoTA methods, according to both human judgement and automatic metrics. Key contributions include the simplification of user input, the ability to freely add objects unconstrained by existing segments, and the integration potential of our dynamic mask approach within other editing methods.

Seed-to-Seed: Image Translation in Diffusion Seed Space

We introduce Seed-to-Seed Translation (StS), a novel approach for Image-to-Image Translation using diffusion models (DMs), aimed at translations that require close adherence to the structure of the source image. In contrast to existing methods that modify images during the diffusion sampling process, we leverage the semantic information encoded within the space of inverted seeds of a pretrained DM, dubbed as the seed-space. We demonstrate that inverted seeds can be used for discriminative tasks, and can also be manipulated to achieve desired transformations in an unpaired image-to-image translation setting. Our method involves training an sts-GAN, an unpaired translation model between source and target seeds, based on CycleGAN. The final translated images are obtained by initiating the DM's sampling process from the translated seeds. A ControlNet is used to ensure the structural preservation of the input image. We demonstrate the effectiveness of our approach for the task of translating automotive scenes, showcasing superior performance compared to existing GAN-based and diffusion-based methods, as well as for several other unpaired image translation tasks. Our approach offers a fresh perspective on leveraging the semantic information encoded within the seed-space of pretrained DMs for effective image editing and manipulation.

DiffUHaul: A Training-Free Method for Object Dragging in Images

Text-to-image diffusion models have proven effective for solving many image editing tasks. However, the seemingly straightforward task of seamlessly relocating objects within a scene remains surprisingly challenging. Existing methods addressing this problem often struggle to function reliably in real-world scenarios due to lacking spatial reasoning. In this work, we propose a training-free method, dubbed DiffUHaul, that harnesses the spatial understanding of a localized text-to-image model, for the object dragging task. Blindly manipulating layout inputs of the localized model tends to cause low editing performance due to the intrinsic entanglement of object representation in the model. To this end, we first apply attention masking in each denoising step to make the generation more disentangled across different objects and adopt the self-attention sharing mechanism to preserve the high-level object appearance. Furthermore, we propose a new diffusion anchoring technique: in the early denoising steps, we interpolate the attention features between source and target images to smoothly fuse new layouts with the original appearance; in the later denoising steps, we pass the localized features from the source images to the interpolated images to retain fine-grained object details. To adapt DiffUHaul to real-image editing, we apply a DDPM self-attention bucketing that can better reconstruct real images with the localized model. Finally, we introduce an automated evaluation pipeline for this task and showcase the efficacy of our method. Our results are reinforced through a user preference study.

EmoEdit: Evoking Emotions through Image Manipulation

Affective Image Manipulation (AIM) seeks to modify user-provided images to evoke specific emotional responses. This task is inherently complex due to its twofold objective: significantly evoking the intended emotion, while preserving the original image composition. Existing AIM methods primarily adjust color and style, often failing to elicit precise and profound emotional shifts. Drawing on psychological insights, we extend AIM by incorporating content modifications to enhance emotional impact. We introduce EmoEdit, a novel two-stage framework comprising emotion attribution and image editing. In the emotion attribution stage, we leverage a Vision-Language Model (VLM) to create hierarchies of semantic factors that represent abstract emotions. In the image editing stage, the VLM identifies the most relevant factors for the provided image, and guides a generative editing model to perform affective modifications. A ranking technique that we developed selects the best edit, balancing between emotion fidelity and structure integrity. To validate EmoEdit, we assembled a dataset of 416 images, categorized into positive, negative, and neutral classes. Our method is evaluated both qualitatively and quantitatively, demonstrating superior performance compared to existing state-of-the-art techniques. Additionally, we showcase EmoEdit's potential in various manipulation tasks, including emotion-oriented and semantics-oriented editing.

Generating Non-Stationary Textures using Self-Rectification

This paper addresses the challenge of example-based non-stationary texture synthesis. We introduce a novel twostep approach wherein users first modify a reference texture using standard image editing tools, yielding an initial rough target for the synthesis. Subsequently, our proposed method, termed "self-rectification", automatically refines this target into a coherent, seamless texture, while faithfully preserving the distinct visual characteristics of the reference exemplar. Our method leverages a pre-trained diffusion network, and uses self-attention mechanisms, to gradually align the synthesized texture with the reference, ensuring the retention of the structures in the provided target. Through experimental validation, our approach exhibits exceptional proficiency in handling non-stationary textures, demonstrating significant advancements in texture synthesis when compared to existing state-of-the-art techniques. Code is available at https://github.com/xiaorongjun000/Self-Rectification

Mismatch Quest: Visual and Textual Feedback for Image-Text Misalignment

While existing image-text alignment models reach high quality binary assessments, they fall short of pinpointing the exact source of misalignment. In this paper, we present a method to provide detailed textual and visual explanation of detected misalignments between text-image pairs. We leverage large language models and visual grounding models to automatically construct a training set that holds plausible misaligned captions for a given image and corresponding textual explanations and visual indicators. We also publish a new human curated test set comprising ground-truth textual and visual misalignment annotations. Empirical results show that fine-tuning vision language models on our training set enables them to articulate misalignments and visually indicate them within images, outperforming strong baselines both on the binary alignment classification and the explanation generation tasks. Our method code and human curated test set are available at: https://mismatch-quest.github.io/

S2ST: Image-to-Image Translation in the Seed Space of Latent Diffusion

Image-to-image translation (I2IT) refers to the process of transforming images from a source domain to a target domain while maintaining a fundamental connection in terms of image content. In the past few years, remarkable advancements in I2IT were achieved by Generative Adversarial Networks (GANs), which nevertheless struggle with translations requiring high precision. Recently, Diffusion Models have established themselves as the engine of choice for image generation. In this paper we introduce S2ST, a novel framework designed to accomplish global I2IT in complex photorealistic images, such as day-to-night or clear-to-rain translations of automotive scenes. S2ST operates within the seed space of a Latent Diffusion Model, thereby leveraging the powerful image priors learned by the latter. We show that S2ST surpasses state-of-the-art GAN-based I2IT methods, as well as diffusion-based approaches, for complex automotive scenes, improving fidelity while respecting the target domain's appearance across a variety of domains. Notably, S2ST obviates the necessity for training domain-specific translation networks.

The Chosen One: Consistent Characters in Text-to-Image Diffusion Models

Recent advances in text-to-image generation models have unlocked vast potential for visual creativity. However, these models struggle with generation of consistent characters, a crucial aspect for numerous real-world applications such as story visualization, game development asset design, advertising, and more. Current methods typically rely on multiple pre-existing images of the target character or involve labor-intensive manual processes. In this work, we propose a fully automated solution for consistent character generation, with the sole input being a text prompt. We introduce an iterative procedure that, at each stage, identifies a coherent set of images sharing a similar identity and extracts a more consistent identity from this set. Our quantitative analysis demonstrates that our method strikes a better balance between prompt alignment and identity consistency compared to the baseline methods, and these findings are reinforced by a user study. To conclude, we showcase several practical applications of our approach. Project page is available at https://omriavrahami.com/the-chosen-one

Noise-Free Score Distillation

Score Distillation Sampling (SDS) has emerged as the de facto approach for text-to-content generation in non-image domains. In this paper, we reexamine the SDS process and introduce a straightforward interpretation that demystifies the necessity for large Classifier-Free Guidance (CFG) scales, rooted in the distillation of an undesired noise term. Building upon our interpretation, we propose a novel Noise-Free Score Distillation (NFSD) process, which requires minimal modifications to the original SDS framework. Through this streamlined design, we achieve more effective distillation of pre-trained text-to-image diffusion models while using a nominal CFG scale. This strategic choice allows us to prevent the over-smoothing of results, ensuring that the generated data is both realistic and complies with the desired prompt. To demonstrate the efficacy of NFSD, we provide qualitative examples that compare NFSD and SDS, as well as several other methods.

EmoSet: A Large-scale Visual Emotion Dataset with Rich Attributes

Visual Emotion Analysis (VEA) aims at predicting people's emotional responses to visual stimuli. This is a promising, yet challenging, task in affective computing, which has drawn increasing attention in recent years. Most of the existing work in this area focuses on feature design, while little attention has been paid to dataset construction. In this work, we introduce EmoSet, the first large-scale visual emotion dataset annotated with rich attributes, which is superior to existing datasets in four aspects: scale, annotation richness, diversity, and data balance. EmoSet comprises 3.3 million images in total, with 118,102 of these images carefully labeled by human annotators, making it five times larger than the largest existing dataset. EmoSet includes images from social networks, as well as artistic images, and it is well balanced between different emotion categories. Motivated by psychological studies, in addition to emotion category, each image is also annotated with a set of describable emotion attributes: brightness, colorfulness, scene type, object class, facial expression, and human action, which can help understand visual emotions in a precise and interpretable way. The relevance of these emotion attributes is validated by analyzing the correlations between them and visual emotion, as well as by designing an attribute module to help visual emotion recognition. We believe EmoSet will bring some key insights and encourage further research in visual emotion analysis and understanding. Project page: https://vcc.tech/EmoSet.