Abstract:Manually creating textures for 3D meshes is time-consuming, even for expert visual content creators. We propose a fast approach for automatically texturing an input 3D mesh based on a user-provided text prompt. Importantly, our approach disentangles lighting from surface material/reflectance in the resulting texture so that the mesh can be properly relit and rendered in any lighting environment. We introduce LightControlNet, a new text-to-image model based on the ControlNet architecture, which allows the specification of the desired lighting as a conditioning image to the model. Our text-to-texture pipeline then constructs the texture in two stages. The first stage produces a sparse set of visually consistent reference views of the mesh using LightControlNet. The second stage applies a texture optimization based on Score Distillation Sampling (SDS) that works with LightControlNet to increase the texture quality while disentangling surface material from lighting. Our pipeline is significantly faster than previous text-to-texture methods, while producing high-quality and relightable textures.
Abstract:We propose a learning-based framework for disentangling outdoor scenes into temporally-varying illumination and permanent scene factors. Inspired by the classic intrinsic image decomposition, our learning signal builds upon two insights: 1) combining the disentangled factors should reconstruct the original image, and 2) the permanent factors should stay constant across multiple temporal samples of the same scene. To facilitate training, we assemble a city-scale dataset of outdoor timelapse imagery from Google Street View, where the same locations are captured repeatedly through time. This data represents an unprecedented scale of spatio-temporal outdoor imagery. We show that our learned disentangled factors can be used to manipulate novel images in realistic ways, such as changing lighting effects and scene geometry. Please visit factorize-a-city.github.io for animated results.
Abstract:Recent progress in image recognition has stimulated the deployment of vision systems (e.g. image search engines) at an unprecedented scale. As a result, visual data are now often consumed not only by humans but also by machines. Meanwhile, existing image processing methods only optimize for better human perception, whereas the resulting images may not be accurately recognized by machines. This can be undesirable, e.g., the images can be improperly handled by search engines or recommendation systems. In this work, we propose simple approaches to improve machine interpretability of processed images: optimizing the recognition loss directly on the image processing network or through an intermediate transforming model, a process which we show can also be done in an unsupervised manner. Interestingly, the processing model's ability to enhance the recognition performance can transfer when evaluated on different recognition models, even if they are of different architectures, trained on different object categories or even different recognition tasks. This makes the solutions applicable even when we do not have the knowledge about future downstream recognition models, e.g., if we are to upload the processed images to the Internet. We conduct comprehensive experiments on three image processing tasks with two downstream recognition tasks, and confirm our method brings substantial accuracy improvement on both the same recognition model and when transferring to a different one, with minimal or no loss in the image processing quality.
Abstract:Network pruning is widely used for reducing the heavy computational cost of deep models. A typical pruning algorithm is a three-stage pipeline, i.e., training (a large model), pruning and fine-tuning. During pruning, according to a certain criterion, redundant weights are pruned and important weights are kept to best preserve the accuracy. In this work, we make several surprising observations which contradict common beliefs. For all the six state-of-the-art pruning algorithms we examined, fine-tuning a pruned model only gives comparable or even worse performance than training that model with randomly initialized weights. For pruning algorithms which assume a predefined target network architecture, one can get rid of the full pipeline and directly train the target network from scratch. Our observations are consistent for a wide variety of pruning algorithms with multiple network architectures, datasets, and tasks. Our results have several implications: 1) training a large, over-parameterized model is not necessary to obtain an efficient final model, 2) learned "important" weights of the large model are not necessarily useful for the small pruned model, 3) the pruned architecture itself, rather than a set of inherited "important" weights, is what leads to the efficiency benefit in the final model, which suggests that some pruning algorithms could be seen as performing network architecture search.
Abstract:This paper presents a simple method for "do as I do" motion transfer: given a source video of a person dancing we can transfer that performance to a novel (amateur) target after only a few minutes of the target subject performing standard moves. We pose this problem as a per-frame image-to-image translation with spatio-temporal smoothing. Using pose detections as an intermediate representation between source and target, we learn a mapping from pose images to a target subject's appearance. We adapt this setup for temporally coherent video generation including realistic face synthesis. Our video demo can be found at https://youtu.be/PCBTZh41Ris .
Abstract:The view synthesis problem--generating novel views of a scene from known imagery--has garnered recent attention due in part to compelling applications in virtual and augmented reality. In this paper, we explore an intriguing scenario for view synthesis: extrapolating views from imagery captured by narrow-baseline stereo cameras, including VR cameras and now-widespread dual-lens camera phones. We call this problem stereo magnification, and propose a learning framework that leverages a new layered representation that we call multiplane images (MPIs). Our method also uses a massive new data source for learning view extrapolation: online videos on YouTube. Using data mined from such videos, we train a deep network that predicts an MPI from an input stereo image pair. This inferred MPI can then be used to synthesize a range of novel views of the scene, including views that extrapolate significantly beyond the input baseline. We show that our method compares favorably with several recent view synthesis methods, and demonstrate applications in magnifying narrow-baseline stereo images.
Abstract:We investigate conditional adversarial networks as a general-purpose solution to image-to-image translation problems. These networks not only learn the mapping from input image to output image, but also learn a loss function to train this mapping. This makes it possible to apply the same generic approach to problems that traditionally would require very different loss formulations. We demonstrate that this approach is effective at synthesizing photos from label maps, reconstructing objects from edge maps, and colorizing images, among other tasks. Indeed, since the release of the pix2pix software associated with this paper, a large number of internet users (many of them artists) have posted their own experiments with our system, further demonstrating its wide applicability and ease of adoption without the need for parameter tweaking. As a community, we no longer hand-engineer our mapping functions, and this work suggests we can achieve reasonable results without hand-engineering our loss functions either.
Abstract:We present an unsupervised learning framework for the task of monocular depth and camera motion estimation from unstructured video sequences. We achieve this by simultaneously training depth and camera pose estimation networks using the task of view synthesis as the supervisory signal. The networks are thus coupled via the view synthesis objective during training, but can be applied independently at test time. Empirical evaluation on the KITTI dataset demonstrates the effectiveness of our approach: 1) monocular depth performing comparably with supervised methods that use either ground-truth pose or depth for training, and 2) pose estimation performing favorably with established SLAM systems under comparable input settings.
Abstract:We study the notion of consistency between a 3D shape and a 2D observation and propose a differentiable formulation which allows computing gradients of the 3D shape given an observation from an arbitrary view. We do so by reformulating view consistency using a differentiable ray consistency (DRC) term. We show that this formulation can be incorporated in a learning framework to leverage different types of multi-view observations e.g. foreground masks, depth, color images, semantics etc. as supervision for learning single-view 3D prediction. We present empirical analysis of our technique in a controlled setting. We also show that this approach allows us to improve over existing techniques for single-view reconstruction of objects from the PASCAL VOC dataset.
Abstract:We address the problem of novel view synthesis: given an input image, synthesizing new images of the same object or scene observed from arbitrary viewpoints. We approach this as a learning task but, critically, instead of learning to synthesize pixels from scratch, we learn to copy them from the input image. Our approach exploits the observation that the visual appearance of different views of the same instance is highly correlated, and such correlation could be explicitly learned by training a convolutional neural network (CNN) to predict appearance flows -- 2-D coordinate vectors specifying which pixels in the input view could be used to reconstruct the target view. Furthermore, the proposed framework easily generalizes to multiple input views by learning how to optimally combine single-view predictions. We show that for both objects and scenes, our approach is able to synthesize novel views of higher perceptual quality than previous CNN-based techniques.