Episodic fine-tuning prototypical networks for optimization-based few-shot learning: Application to audio classification

The Prototypical Network (ProtoNet) has emerged as a popular choice in Few-shot Learning (FSL) scenarios due to its remarkable performance and straightforward implementation. Building upon such success, we first propose a simple (yet novel) method to fine-tune a ProtoNet on the (labeled) support set of the test episode of a C-way-K-shot test episode (without using the query set which is only used for evaluation). We then propose an algorithmic framework that combines ProtoNet with optimization-based FSL algorithms (MAML and Meta-Curvature) to work with such a fine-tuning method. Since optimization-based algorithms endow the target learner model with the ability to fast adaption to only a few samples, we utilize ProtoNet as the target model to enhance its fine-tuning performance with the help of a specifically designed episodic fine-tuning strategy. The experimental results confirm that our proposed models, MAML-Proto and MC-Proto, combined with our unique fine-tuning method, outperform regular ProtoNet by a large margin in few-shot audio classification tasks on the ESC-50 and Speech Commands v2 datasets. We note that although we have only applied our model to the audio domain, it is a general method and can be easily extended to other domains.

Using Random Codebooks for Audio Neural AutoEncoders

Latent representation learning has been an active field of study for decades in numerous applications. Inspired among others by the tokenization from Natural Language Processing and motivated by the research of a simple data representation, recent works have introduced a quantization step into the feature extraction. In this work, we propose a novel strategy to build the neural discrete representation by means of random codebooks. These codebooks are obtained by randomly sampling a large, predefined fixed codebook. We experimentally show the merits and potential of our approach in a task of audio compression and reconstruction.

Learning Source Disentanglement in Neural Audio Codec

Neural audio codecs have significantly advanced audio compression by efficiently converting continuous audio signals into discrete tokens. These codecs preserve high-quality sound and enable sophisticated sound generation through generative models trained on these tokens. However, existing neural codec models are typically trained on large, undifferentiated audio datasets, neglecting the essential discrepancies between sound domains like speech, music, and environmental sound effects. This oversight complicates data modeling and poses additional challenges to the controllability of sound generation. To tackle these issues, we introduce the Source-Disentangled Neural Audio Codec (SD-Codec), a novel approach that combines audio coding and source separation. By jointly learning audio resynthesis and separation, SD-Codec explicitly assigns audio signals from different domains to distinct codebooks, sets of discrete representations. Experimental results indicate that SD-Codec not only maintains competitive resynthesis quality but also, supported by the separation results, demonstrates successful disentanglement of different sources in the latent space, thereby enhancing interpretability in audio codec and providing potential finer control over the audio generation process.

Annealed Multiple Choice Learning: Overcoming limitations of Winner-takes-all with annealing

We introduce Annealed Multiple Choice Learning (aMCL) which combines simulated annealing with MCL. MCL is a learning framework handling ambiguous tasks by predicting a small set of plausible hypotheses. These hypotheses are trained using the Winner-takes-all (WTA) scheme, which promotes the diversity of the predictions. However, this scheme may converge toward an arbitrarily suboptimal local minimum, due to the greedy nature of WTA. We overcome this limitation using annealing, which enhances the exploration of the hypothesis space during training. We leverage insights from statistical physics and information theory to provide a detailed description of the model training trajectory. Additionally, we validate our algorithm by extensive experiments on synthetic datasets, on the standard UCI benchmark, and on speech separation.

Speech dereverberation constrained on room impulse response characteristics

Single-channel speech dereverberation aims at extracting a dry speech signal from a recording affected by the acoustic reflections in a room. However, most current deep learning-based approaches for speech dereverberation are not interpretable for room acoustics, and can be considered as black-box systems in that regard. In this work, we address this problem by regularizing the training loss using a novel physical coherence loss which encourages the room impulse response (RIR) induced by the dereverberated output of the model to match the acoustic properties of the room in which the signal was recorded. Our investigation demonstrates the preservation of the original dereverberated signal alongside the provision of a more physically coherent RIR.

Structure-informed Positional Encoding for Music Generation

Music generated by deep learning methods often suffers from a lack of coherence and long-term organization. Yet, multi-scale hierarchical structure is a distinctive feature of music signals. To leverage this information, we propose a structure-informed positional encoding framework for music generation with Transformers. We design three variants in terms of absolute, relative and non-stationary positional information. We comprehensively test them on two symbolic music generation tasks: next-timestep prediction and accompaniment generation. As a comparison, we choose multiple baselines from the literature and demonstrate the merits of our methods using several musically-motivated evaluation metrics. In particular, our methods improve the melodic and structural consistency of the generated pieces.

Unsupervised Harmonic Parameter Estimation Using Differentiable DSP and Spectral Optimal Transport

In neural audio signal processing, pitch conditioning has been used to enhance the performance of synthesizers. However, jointly training pitch estimators and synthesizers is a challenge when using standard audio-to-audio reconstruction loss, leading to reliance on external pitch trackers. To address this issue, we propose using a spectral loss function inspired by optimal transportation theory that minimizes the displacement of spectral energy. We validate this approach through an unsupervised autoencoding task that fits a harmonic template to harmonic signals. We jointly estimate the fundamental frequency and amplitudes of harmonics using a lightweight encoder and reconstruct the signals using a differentiable harmonic synthesizer. The proposed approach offers a promising direction for improving unsupervised parameter estimation in neural audio applications.

Singer Identity Representation Learning using Self-Supervised Techniques

Significant strides have been made in creating voice identity representations using speech data. However, the same level of progress has not been achieved for singing voices. To bridge this gap, we suggest a framework for training singer identity encoders to extract representations suitable for various singing-related tasks, such as singing voice similarity and synthesis. We explore different self-supervised learning techniques on a large collection of isolated vocal tracks and apply data augmentations during training to ensure that the representations are invariant to pitch and content variations. We evaluate the quality of the resulting representations on singer similarity and identification tasks across multiple datasets, with a particular emphasis on out-of-domain generalization. Our proposed framework produces high-quality embeddings that outperform both speaker verification and wav2vec 2.0 pre-trained baselines on singing voice while operating at 44.1 kHz. We release our code and trained models to facilitate further research on singing voice and related areas.

Resilient Multiple Choice Learning: A learned scoring scheme with application to audio scene analysis

We introduce Resilient Multiple Choice Learning (rMCL), an extension of the MCL approach for conditional distribution estimation in regression settings where multiple targets may be sampled for each training input. Multiple Choice Learning is a simple framework to tackle multimodal density estimation, using the Winner-Takes-All (WTA) loss for a set of hypotheses. In regression settings, the existing MCL variants focus on merging the hypotheses, thereby eventually sacrificing the diversity of the predictions. In contrast, our method relies on a novel learned scoring scheme underpinned by a mathematical framework based on Voronoi tessellations of the output space, from which we can derive a probabilistic interpretation. After empirically validating rMCL with experiments on synthetic data, we further assess its merits on the sound source localization problem, demonstrating its practical usefulness and the relevance of its interpretation.

Transfer Learning and Bias Correction with Pre-trained Audio Embeddings

Deep neural network models have become the dominant approach to a large variety of tasks within music information retrieval (MIR). These models generally require large amounts of (annotated) training data to achieve high accuracy. Because not all applications in MIR have sufficient quantities of training data, it is becoming increasingly common to transfer models across domains. This approach allows representations derived for one task to be applied to another, and can result in high accuracy with less stringent training data requirements for the downstream task. However, the properties of pre-trained audio embeddings are not fully understood. Specifically, and unlike traditionally engineered features, the representations extracted from pre-trained deep networks may embed and propagate biases from the model's training regime. This work investigates the phenomenon of bias propagation in the context of pre-trained audio representations for the task of instrument recognition. We first demonstrate that three different pre-trained representations (VGGish, OpenL3, and YAMNet) exhibit comparable performance when constrained to a single dataset, but differ in their ability to generalize across datasets (OpenMIC and IRMAS). We then investigate dataset identity and genre distribution as potential sources of bias. Finally, we propose and evaluate post-processing countermeasures to mitigate the effects of bias, and improve generalization across datasets.