Audio Match Cutting: Finding and Creating Matching Audio Transitions in Movies and Videos

A "match cut" is a common video editing technique where a pair of shots that have a similar composition transition fluidly from one to another. Although match cuts are often visual, certain match cuts involve the fluid transition of audio, where sounds from different sources merge into one indistinguishable transition between two shots. In this paper, we explore the ability to automatically find and create "audio match cuts" within videos and movies. We create a self-supervised audio representation for audio match cutting and develop a coarse-to-fine audio match pipeline that recommends matching shots and creates the blended audio. We further annotate a dataset for the proposed audio match cut task and compare the ability of multiple audio representations to find audio match cut candidates. Finally, we evaluate multiple methods to blend two matching audio candidates with the goal of creating a smooth transition. Project page and examples are available at: https://denfed.github.io/audiomatchcut/

RapVerse: Coherent Vocals and Whole-Body Motions Generations from Text

In this work, we introduce a challenging task for simultaneously generating 3D holistic body motions and singing vocals directly from textual lyrics inputs, advancing beyond existing works that typically address these two modalities in isolation. To facilitate this, we first collect the RapVerse dataset, a large dataset containing synchronous rapping vocals, lyrics, and high-quality 3D holistic body meshes. With the RapVerse dataset, we investigate the extent to which scaling autoregressive multimodal transformers across language, audio, and motion can enhance the coherent and realistic generation of vocals and whole-body human motions. For modality unification, a vector-quantized variational autoencoder is employed to encode whole-body motion sequences into discrete motion tokens, while a vocal-to-unit model is leveraged to obtain quantized audio tokens preserving content, prosodic information, and singer identity. By jointly performing transformer modeling on these three modalities in a unified way, our framework ensures a seamless and realistic blend of vocals and human motions. Extensive experiments demonstrate that our unified generation framework not only produces coherent and realistic singing vocals alongside human motions directly from textual inputs but also rivals the performance of specialized single-modality generation systems, establishing new benchmarks for joint vocal-motion generation. The project page is available for research purposes at https://vis-www.cs.umass.edu/RapVerse.

DeepSpace: Dynamic Spatial and Source Cue Based Source Separation for Dialog Enhancement

Dialog Enhancement (DE) is a feature which allows a user to increase the level of dialog in TV or movie content relative to non-dialog sounds. When only the original mix is available, DE is "unguided," and requires source separation. In this paper, we describe the DeepSpace system, which performs source separation using both dynamic spatial cues and source cues to support unguided DE. Its technologies include spatio-level filtering (SLF) and deep-learning based dialog classification and denoising. Using subjective listening tests, we show that DeepSpace demonstrates significantly improved overall performance relative to state-of-the-art systems available for testing. We explore the feasibility of using existing automated metrics to evaluate unguided DE systems.

High Quality Audio Coding with MDCTNet

We propose a neural audio generative model, MDCTNet, operating in the perceptually weighted domain of an adaptive modified discrete cosine transform (MDCT). The architecture of the model captures correlations in both time and frequency directions with recurrent layers (RNNs). An audio coding system is obtained by training MDCTNet on a diverse set of fullband monophonic audio signals at 48 kHz sampling, conditioned by a perceptual audio encoder. In a subjective listening test with ten excerpts chosen to be balanced across content types, yet stressful for both codecs, the mean performance of the proposed system for 24 kb/s variable bitrate (VBR) is similar to that of Opus at twice the bitrate.

Stereo Speech Enhancement Using Custom Mid-Side Signals and Monaural Processing

Speech Enhancement (SE) systems typically operate on monaural input and are used for applications including voice communications and capture cleanup for user generated content. Recent advancements and changes in the devices used for these applications are likely to lead to an increase in the amount of two-channel content for the same applications. However, SE systems are typically designed for monaural input; stereo results produced using trivial methods such as channel independent or mid-side processing may be unsatisfactory, including substantial speech distortions. To address this, we propose a system which creates a novel representation of stereo signals called Custom Mid-Side Signals (CMSS). CMSS allow benefits of mid-side signals for center-panned speech to be extended to a much larger class of input signals. This in turn allows any existing monaural SE system to operate as an efficient stereo system by processing the custom mid signal. We describe how the parameters needed for CMSS can be efficiently estimated by a component of the spatio-level filtering source separation system. Subjective listening using state-of-the-art deep learning-based SE systems on stereo content with various speech mixing styles shows that CMSS processing leads to improved speech quality at approximately half the cost of channel-independent processing.