Microsoft
Abstract:Understanding and explaining differences between audio recordings is crucial for fields like audio forensics, quality assessment, and audio generation. This involves identifying and describing audio events, acoustic scenes, signal characteristics, and their emotional impact on listeners. This paper stands out as the first work to comprehensively study the task of explaining audio differences and then propose benchmark, baselines for the task. First, we present two new datasets for audio difference explanation derived from the AudioCaps and Clotho audio captioning datasets. Using Large Language Models (LLMs), we generate three levels of difference explanations: (1) concise descriptions of audio events and objects, (2) brief sentences about audio events, acoustic scenes, and signal properties, and (3) comprehensive explanations that include semantics and listener emotions. For the baseline, we use prefix tuning where audio embeddings from two audio files are used to prompt a frozen language model. Our empirical analysis and ablation studies reveal that the naive baseline struggles to distinguish perceptually similar sounds and generate detailed tier 3 explanations. To address these limitations, we propose ADIFF, which introduces a cross-projection module, position captioning, and a three-step training process to enhance the model's ability to produce detailed explanations. We evaluate our model using objective metrics and human evaluation and show our model enhancements lead to significant improvements in performance over naive baseline and SoTA Audio-Language Model (ALM) Qwen Audio. Lastly, we conduct multiple ablation studies to study the effects of cross-projection, language model parameters, position captioning, third stage fine-tuning, and present our findings. Our benchmarks, findings, and strong baseline pave the way for nuanced and human-like explanations of audio differences.
Abstract:The Automated Audio Captioning (AAC) task aims to describe an audio signal using natural language. To evaluate machine-generated captions, the metrics should take into account audio events, acoustic scenes, paralinguistics, signal characteristics, and other audio information. Traditional AAC evaluation relies on natural language generation metrics like ROUGE and BLEU, image captioning metrics such as SPICE and CIDEr, or Sentence-BERT embedding similarity. However, these metrics only compare generated captions to human references, overlooking the audio signal itself. In this work, we propose MACE (Multimodal Audio-Caption Evaluation), a novel metric that integrates both audio and reference captions for comprehensive audio caption evaluation. MACE incorporates audio information from audio as well as predicted and reference captions and weights it with a fluency penalty. Our experiments demonstrate MACE's superior performance in predicting human quality judgments compared to traditional metrics. Specifically, MACE achieves a 3.28% and 4.36% relative accuracy improvement over the FENSE metric on the AudioCaps-Eval and Clotho-Eval datasets respectively. Moreover, it significantly outperforms all the previous metrics on the audio captioning evaluation task. The metric is opensourced at https://github.com/satvik-dixit/mace
Abstract:Recent literature uses language to build foundation models for audio. These Audio-Language Models (ALMs) are trained on a vast number of audio-text pairs and show remarkable performance in tasks including Text-to-Audio Retrieval, Captioning, and Question Answering. However, their ability to engage in more complex open-ended tasks, like Interactive Question-Answering, requires proficiency in logical reasoning -- a skill not yet benchmarked. We introduce the novel task of Audio Entailment to evaluate an ALM's deductive reasoning ability. This task assesses whether a text description (hypothesis) of audio content can be deduced from an audio recording (premise), with potential conclusions being entailment, neutral, or contradiction, depending on the sufficiency of the evidence. We create two datasets for this task with audio recordings sourced from two audio captioning datasets -- AudioCaps and Clotho -- and hypotheses generated using Large Language Models (LLMs). We benchmark state-of-the-art ALMs and find deficiencies in logical reasoning with both zero-shot and linear probe evaluations. Finally, we propose "caption-before-reason", an intermediate step of captioning that improves the zero-shot and linear-probe performance of ALMs by an absolute 6% and 3%, respectively.
Abstract:Speech Emotion Recognition (SER) has been traditionally formulated as a classification task. However, emotions are generally a spectrum whose distribution varies from situation to situation leading to poor Out-of-Domain (OOD) performance. We take inspiration from statistical formulation of Automatic Speech Recognition (ASR) and formulate the SER task as generating the most likely sequence of text tokens to infer emotion. The formulation breaks SER into predicting acoustic model features weighted by language model prediction. As an instance of this approach, we present SELM, an audio-conditioned language model for SER that predicts different emotion views. We train SELM on curated speech emotion corpus and test it on three OOD datasets (RAVDESS, CREMAD, IEMOCAP) not used in training. SELM achieves significant improvements over the state-of-the-art baselines, with 17% and 7% relative accuracy gains for RAVDESS and CREMA-D, respectively. Moreover, SELM can further boost its performance by Few-Shot Learning using a few annotated examples. The results highlight the effectiveness of our SER formulation, especially to improve performance in OOD scenarios.
Abstract:Audio-Language Models (ALM) aim to be general-purpose audio models by providing zero-shot capabilities at test time. The zero-shot performance of ALM improves by using suitable text prompts for each domain. The text prompts are usually hand-crafted through an ad-hoc process and lead to a drop in ALM generalization and out-of-distribution performance. Existing approaches to improve domain performance, like few-shot learning or fine-tuning, require access to annotated data and iterations of training. Therefore, we propose a test-time domain adaptation method for ALMs that does not require access to annotations. Our method learns a domain vector by enforcing consistency across augmented views of the testing audio. We extensively evaluate our approach on 12 downstream tasks across domains. With just one example, our domain adaptation method leads to 3.2% (max 8.4%) average zero-shot performance improvement. After adaptation, the model still retains the generalization property of ALMs.
Abstract:While audio quality is a key performance metric for various audio processing tasks, including generative modeling, its objective measurement remains a challenge. Audio-Language Models (ALMs) are pre-trained on audio-text pairs that may contain information about audio quality, the presence of artifacts, or noise. Given an audio input and a text prompt related to quality, an ALM can be used to calculate a similarity score between the two. Here, we exploit this capability and introduce PAM, a no-reference metric for assessing audio quality for different audio processing tasks. Contrary to other "reference-free" metrics, PAM does not require computing embeddings on a reference dataset nor training a task-specific model on a costly set of human listening scores. We extensively evaluate the reliability of PAM against established metrics and human listening scores on four tasks: text-to-audio (TTA), text-to-music generation (TTM), text-to-speech (TTS), and deep noise suppression (DNS). We perform multiple ablation studies with controlled distortions, in-the-wild setups, and prompt choices. Our evaluation shows that PAM correlates well with existing metrics and human listening scores. These results demonstrate the potential of ALMs for computing a general-purpose audio quality metric.
Abstract:Emotions lie on a continuum, but current models treat emotions as a finite valued discrete variable. This representation does not capture the diversity in the expression of emotion. To better represent emotions we propose the use of natural language descriptions (or prompts). In this work, we address the challenge of automatically generating these prompts and training a model to better learn emotion representations from audio and prompt pairs. We use acoustic properties that are correlated to emotion like pitch, intensity, speech rate, and articulation rate to automatically generate prompts i.e. 'acoustic prompts'. We use a contrastive learning objective to map speech to their respective acoustic prompts. We evaluate our model on Emotion Audio Retrieval and Speech Emotion Recognition. Our results show that the acoustic prompts significantly improve the model's performance in EAR, in various Precision@K metrics. In SER, we observe a 3.8% relative accuracy improvement on the Ravdess dataset.
Abstract:It has been shown that Large Language Model (LLM) alignments can be circumvented by appending specially crafted attack suffixes with harmful queries to elicit harmful responses. To conduct attacks against private target models whose characterization is unknown, public models can be used as proxies to fashion the attack, with successful attacks being transferred from public proxies to private target models. The success rate of attack depends on how closely the proxy model approximates the private model. We hypothesize that for attacks to be transferrable, it is sufficient if the proxy can approximate the target model in the neighborhood of the harmful query. Therefore, in this paper, we propose \emph{Local Fine-Tuning (LoFT)}, \textit{i.e.}, fine-tuning proxy models on similar queries that lie in the lexico-semantic neighborhood of harmful queries to decrease the divergence between the proxy and target models. First, we demonstrate three approaches to prompt private target models to obtain similar queries given harmful queries. Next, we obtain data for local fine-tuning by eliciting responses from target models for the generated similar queries. Then, we optimize attack suffixes to generate attack prompts and evaluate the impact of our local fine-tuning on the attack's success rate. Experiments show that local fine-tuning of proxy models improves attack transferability and increases attack success rate by $39\%$, $7\%$, and $0.5\%$ (absolute) on target models ChatGPT, GPT-4, and Claude respectively.
Abstract:Automated Audio Captioning (AAC) is the task of generating natural language descriptions given an audio stream. A typical AAC system requires manually curated training data of audio segments and corresponding text caption annotations. The creation of these audio-caption pairs is costly, resulting in general data scarcity for the task. In this work, we address this major limitation and propose an approach to train AAC systems using only text. Our approach leverages the multimodal space of contrastively trained audio-text models, such as CLAP. During training, a decoder generates captions conditioned on the pretrained CLAP text encoder. During inference, the text encoder is replaced with the pretrained CLAP audio encoder. To bridge the modality gap between text and audio embeddings, we propose the use of noise injection or a learnable adapter, during training. We find that the proposed text-only framework performs competitively with state-of-the-art models trained with paired audio, showing that efficient text-to-audio transfer is possible. Finally, we showcase both stylized audio captioning and caption enrichment while training without audio or human-created text captions.
Abstract:Audio-Language models jointly learn multimodal text and audio representations that enable Zero-Shot inference. Models rely on the encoders to create powerful representations of the input and generalize to multiple tasks ranging from sounds, music, and speech. Although models have achieved remarkable performance, there is still a performance gap with task-specific models. In this paper, we propose a Contrastive Language-Audio Pretraining model that is pretrained with a diverse collection of 4.6M audio-text pairs employing two innovative encoders for Zero-Shot inference. To learn audio representations, we trained an audio encoder on 22 audio tasks, instead of the standard training of sound event classification. To learn language representations, we trained an autoregressive decoder-only model instead of the standard encoder-only models. Then, the audio and language representations are brought into a joint multimodal space using Contrastive Learning. We used our encoders to improve the downstream performance by a margin. We extensively evaluated the generalization of our representations on 26 downstream tasks, the largest in the literature. Our model achieves state of the art results in several tasks leading the way towards general-purpose audio representations.