Information Density Principle for MLLM Benchmarks

With the emergence of Multimodal Large Language Models (MLLMs), hundreds of benchmarks have been developed to ensure the reliability of MLLMs in downstream tasks. However, the evaluation mechanism itself may not be reliable. For developers of MLLMs, questions remain about which benchmark to use and whether the test results meet their requirements. Therefore, we propose a critical principle of Information Density, which examines how much insight a benchmark can provide for the development of MLLMs. We characterize it from four key dimensions: (1) Fallacy, (2) Difficulty, (3) Redundancy, (4) Diversity. Through a comprehensive analysis of more than 10,000 samples, we measured the information density of 19 MLLM benchmarks. Experiments show that using the latest benchmarks in testing can provide more insight compared to previous ones, but there is still room for improvement in their information density. We hope this principle can promote the development and application of future MLLM benchmarks. Project page: https://github.com/lcysyzxdxc/bench4bench

Can video generation replace cinematographers? Research on the cinematic language of generated video

Recent advancements in text-to-video (T2V) generation have leveraged diffusion models to enhance the visual coherence of videos generated from textual descriptions. However, most research has primarily focused on object motion, with limited attention given to cinematic language in videos, which is crucial for cinematographers to convey emotion and narrative pacing. To address this limitation, we propose a threefold approach to enhance the ability of T2V models to generate controllable cinematic language. Specifically, we introduce a cinematic language dataset that encompasses shot framing, angle, and camera movement, enabling models to learn diverse cinematic styles. Building on this, to facilitate robust cinematic alignment evaluation, we present CameraCLIP, a model fine-tuned on the proposed dataset that excels in understanding complex cinematic language in generated videos and can further provide valuable guidance in the multi-shot composition process. Finally, we propose CLIPLoRA, a cost-guided dynamic LoRA composition method that facilitates smooth transitions and realistic blending of cinematic language by dynamically fusing multiple pre-trained cinematic LoRAs within a single video. Our experiments demonstrate that CameraCLIP outperforms existing models in assessing the alignment between cinematic language and video, achieving an R@1 score of 0.81. Additionally, CLIPLoRA improves the ability for multi-shot composition, potentially bridging the gap between automatically generated videos and those shot by professional cinematographers.