Exploring the Acoustics of the Chinese Transverse Flute (dizi)

We investigate the acoustical characteristics of the Chinese transverse flute, the dizi, employing input impedance measurements, modeling and analysis. The input impedances for various fingerings of a bangdi in the key of F, a particular type of the dizi, are measured and compared to models using both the transfer matrix method and the Transfer Matrix Method with external Interaction (TMMI). In order to get more accurate modeling results, we provide specific transfer matrices for the unique components of the dizi, such as back end-holes, membrane hole and upstream branch. The matching volume length correction for holes drilled in a thick wall is also derived. Comparative analysis of modeling and measurement data validates the improved accuracy of TMMI, confirming the influence of radiated sound from closely spaced toneholes.

Reducing Barriers to the Use of Marginalised Music Genres in AI

AI systems for high quality music generation typically rely on extremely large musical datasets to train the AI models. This creates barriers to generating music beyond the genres represented in dominant datasets such as Western Classical music or pop music. We undertook a 4 month international research project summarised in this paper to explore the eXplainable AI (XAI) challenges and opportunities associated with reducing barriers to using marginalised genres of music with AI models. XAI opportunities identified included topics of improving transparency and control of AI models, explaining the ethics and bias of AI models, fine tuning large models with small datasets to reduce bias, and explaining style-transfer opportunities with AI models. Participants in the research emphasised that whilst it is hard to work with small datasets such as marginalised music and AI, such approaches strengthen cultural representation of underrepresented cultures and contribute to addressing issues of bias of deep learning models. We are now building on this project to bring together a global International Responsible AI Music community and invite people to join our network.

Proceedings of The first international workshop on eXplainable AI for the Arts (XAIxArts)

This first international workshop on explainable AI for the Arts (XAIxArts) brought together a community of researchers in HCI, Interaction Design, AI, explainable AI (XAI), and digital arts to explore the role of XAI for the Arts. Workshop held at the 15th ACM Conference on Creativity and Cognition (C&C 2023).

A Holistic Evaluation of Piano Sound Quality

This paper aims to develop a holistic evaluation method for piano sound quality to assist in purchasing decisions. Unlike previous studies that focused on the effect of piano performance techniques on sound quality, this study evaluates the inherent sound quality of different pianos. To derive quality evaluation systems, the study uses subjective questionnaires based on a piano sound quality dataset. The method selects the optimal piano classification models by comparing the fine-tuning results of different pre-training models of Convolutional Neural Networks (CNN). To improve the interpretability of the models, the study applies Equivalent Rectangular Bandwidth (ERB) analysis. The results reveal that musically trained individuals are better able to distinguish between the sound quality differences of different pianos. The best fine-tuned CNN pre-trained backbone achieves a high accuracy of 98.3\% as the piano classifier. However, the dataset is limited, and the audio is sliced to increase its quantity, resulting in a lack of diversity and balance, so we use focal loss to reduce the impact of data imbalance. To optimize the method, the dataset will be expanded, or few-shot learning techniques will be employed in future research.

Learning Singing From Speech

We propose an algorithm that is capable of synthesizing high quality target speaker's singing voice given only their normal speech samples. The proposed algorithm first integrate speech and singing synthesis into a unified framework, and learns universal speaker embeddings that are shareable between speech and singing synthesis tasks. Specifically, the speaker embeddings learned from normal speech via the speech synthesis objective are shared with those learned from singing samples via the singing synthesis objective in the unified training framework. This makes the learned speaker embedding a transferable representation for both speaking and singing. We evaluate the proposed algorithm on singing voice conversion task where the content of original singing is covered with the timbre of another speaker's voice learned purely from their normal speech samples. Our experiments indicate that the proposed algorithm generates high-quality singing voices that sound highly similar to target speaker's voice given only his or her normal speech samples. We believe that proposed algorithm will open up new opportunities for singing synthesis and conversion for broader users and applications.