Reducing Barriers to the Use of Marginalised Music Genres in AI

AI systems for high quality music generation typically rely on extremely large musical datasets to train the AI models. This creates barriers to generating music beyond the genres represented in dominant datasets such as Western Classical music or pop music. We undertook a 4 month international research project summarised in this paper to explore the eXplainable AI (XAI) challenges and opportunities associated with reducing barriers to using marginalised genres of music with AI models. XAI opportunities identified included topics of improving transparency and control of AI models, explaining the ethics and bias of AI models, fine tuning large models with small datasets to reduce bias, and explaining style-transfer opportunities with AI models. Participants in the research emphasised that whilst it is hard to work with small datasets such as marginalised music and AI, such approaches strengthen cultural representation of underrepresented cultures and contribute to addressing issues of bias of deep learning models. We are now building on this project to bring together a global International Responsible AI Music community and invite people to join our network.

A Mapping Strategy for Interacting with Latent Audio Synthesis Using Artistic Materials

This paper presents a mapping strategy for interacting with the latent spaces of generative AI models. Our approach involves using unsupervised feature learning to encode a human control space and mapping it to an audio synthesis model's latent space. To demonstrate how this mapping strategy can turn high-dimensional sensor data into control mechanisms of a deep generative model, we present a proof-of-concept system that uses visual sketches to control an audio synthesis model. We draw on emerging discourses in XAIxArts to discuss how this approach can contribute to XAI in artistic and creative contexts, we also discuss its current limitations and propose future research directions.

Exploring Variational Auto-Encoder Architectures, Configurations, and Datasets for Generative Music Explainable AI

Generative AI models for music and the arts in general are increasingly complex and hard to understand. The field of eXplainable AI (XAI) seeks to make complex and opaque AI models such as neural networks more understandable to people. One approach to making generative AI models more understandable is to impose a small number of semantically meaningful attributes on generative AI models. This paper contributes a systematic examination of the impact that different combinations of Variational Auto-Encoder models (MeasureVAE and AdversarialVAE), configurations of latent space in the AI model (from 4 to 256 latent dimensions), and training datasets (Irish folk, Turkish folk, Classical, and pop) have on music generation performance when 2 or 4 meaningful musical attributes are imposed on the generative model. To date there have been no systematic comparisons of such models at this level of combinatorial detail. Our findings show that MeasureVAE has better reconstruction performance than AdversarialVAE which has better musical attribute independence. Results demonstrate that MeasureVAE was able to generate music across music genres with interpretable musical dimensions of control, and performs best with low complexity music such a pop and rock. We recommend that a 32 or 64 latent dimensional space is optimal for 4 regularised dimensions when using MeasureVAE to generate music across genres. Our results are the first detailed comparisons of configurations of state-of-the-art generative AI models for music and can be used to help select and configure AI models, musical features, and datasets for more understandable generation of music.

Proceedings of The first international workshop on eXplainable AI for the Arts (XAIxArts)

This first international workshop on explainable AI for the Arts (XAIxArts) brought together a community of researchers in HCI, Interaction Design, AI, explainable AI (XAI), and digital arts to explore the role of XAI for the Arts. Workshop held at the 15th ACM Conference on Creativity and Cognition (C&C 2023).

An Autoethnographic Exploration of XAI in Algorithmic Composition

Machine Learning models are capable of generating complex music across a range of genres from folk to classical music. However, current generative music AI models are typically difficult to understand and control in meaningful ways. Whilst research has started to explore how explainable AI (XAI) generative models might be created for music, no generative XAI models have been studied in music making practice. This paper introduces an autoethnographic study of the use of the MeasureVAE generative music XAI model with interpretable latent dimensions trained on Irish folk music. Findings suggest that the exploratory nature of the music-making workflow foregrounds musical features of the training dataset rather than features of the generative model itself. The appropriation of an XAI model within an iterative workflow highlights the potential of XAI models to form part of a richer and more complex workflow than they were initially designed for.

Exploring XAI for the Arts: Explaining Latent Space in Generative Music

Explainable AI has the potential to support more interactive and fluid co-creative AI systems which can creatively collaborate with people. To do this, creative AI models need to be amenable to debugging by offering eXplainable AI (XAI) features which are inspectable, understandable, and modifiable. However, currently there is very little XAI for the arts. In this work, we demonstrate how a latent variable model for music generation can be made more explainable; specifically we extend MeasureVAE which generates measures of music. We increase the explainability of the model by: i) using latent space regularisation to force some specific dimensions of the latent space to map to meaningful musical attributes, ii) providing a user interface feedback loop to allow people to adjust dimensions of the latent space and observe the results of these changes in real-time, iii) providing a visualisation of the musical attributes in the latent space to help people understand and predict the effect of changes to latent space dimensions. We suggest that in doing so we bridge the gap between the latent space and the generated musical outcomes in a meaningful way which makes the model and its outputs more explainable and more debuggable.