[CLS] Token Tells Everything Needed for Training-free Efficient MLLMs

Multimodal Large Language Models (MLLMs) have recently demonstrated strong performance across a wide range of vision-language tasks, garnering significant attention in the computer vision. However, their efficient deployment remains a substantial challenge due to high computational costs and memory requirements. Recognizing the redundancy of information within the vision modality, recent studies have explored methods for compressing visual tokens in MLLMs to enhance efficiency in a training-free manner. Despite their effectiveness, existing methods like Fast rely on the attention between visual tokens and prompt text tokens as the importance indicator, overlooking the relevance to response text and thus introducing perception bias. In this paper, we demonstrate that in MLLMs, the [CLS] token in the visual encoder inherently knows which visual tokens are important for MLLMs. Building on this prior, we introduce a simple yet effective method for train-free visual token compression, called VTC-CLS. Firstly, it leverages the attention score of the [CLS] token on visual tokens as an importance indicator for pruning visual tokens. Besides, we also explore ensembling the importance scores derived by the [CLS] token from different layers to capture the key visual information more comprehensively. Extensive experiments demonstrate that our VTC-CLS achieves the state-of-the-art performance across various tasks compared with baseline methods. It also brings notably less computational costs in a training-free manner, highlighting its effectiveness and superiority. Code and models are available at \url{https://github.com/THU-MIG/VTC-CLS}.

Paint4Poem: A Dataset for Artistic Visualization of Classical Chinese Poems

In this work we propose a new task: artistic visualization of classical Chinese poems, where the goal is to generatepaintings of a certain artistic style for classical Chinese poems. For this purpose, we construct a new dataset called Paint4Poem. Thefirst part of Paint4Poem consists of 301 high-quality poem-painting pairs collected manually from an influential modern Chinese artistFeng Zikai. As its small scale poses challenges for effectively training poem-to-painting generation models, we introduce the secondpart of Paint4Poem, which consists of 3,648 caption-painting pairs collected manually from Feng Zikai's paintings and 89,204 poem-painting pairs collected automatically from the web. We expect the former to help learning the artist painting style as it containshis most paintings, and the latter to help learning the semantic relevance between poems and paintings. Further, we analyze Paint4Poem regarding poem diversity, painting style, and the semantic relevance between poems and paintings. We create abenchmark for Paint4Poem: we train two representative text-to-image generation models: AttnGAN and MirrorGAN, and evaluate theirperformance regarding painting pictorial quality, painting stylistic relevance, and semantic relevance between poems and paintings.The results indicate that the models are able to generate paintings that have good pictorial quality and mimic Feng Zikai's style, but thereflection of poem semantics is limited. The dataset also poses many interesting research directions on this task, including transferlearning, few-shot learning, text-to-image generation for low-resource data etc. The dataset is publicly available.(https://github.com/paint4poem/paint4poem)