Abstract:MusicGen is a music generation language model (LM) that can be conditioned on textual descriptions and melodic features. We introduce MusicGen-Chord, which extends this capability by incorporating chord progression features. This model modifies one-hot encoded melody chroma vectors into multi-hot encoded chord chroma vectors, enabling the generation of music that reflects both chord progressions and textual descriptions. Furthermore, we developed MusicGen-Remixer, an application utilizing MusicGen-Chord to generate remixes of input music conditioned on textual descriptions. Both models are integrated into Replicate's web-UI using cog, facilitating broad accessibility and user-friendly controllable interaction for creating and experiencing AI-generated music.
Abstract:Representing symbolic music with compound tokens, where each token consists of several different sub-tokens representing a distinct musical feature or attribute, offers the advantage of reducing sequence length. While previous research has validated the efficacy of compound tokens in music sequence modeling, predicting all sub-tokens simultaneously can lead to suboptimal results as it may not fully capture the interdependencies between them. We introduce the Nested Music Transformer (NMT), an architecture tailored for decoding compound tokens autoregressively, similar to processing flattened tokens, but with low memory usage. The NMT consists of two transformers: the main decoder that models a sequence of compound tokens and the sub-decoder for modeling sub-tokens of each compound token. The experiment results showed that applying the NMT to compound tokens can enhance the performance in terms of better perplexity in processing various symbolic music datasets and discrete audio tokens from the MAESTRO dataset.
Abstract:Lyric translation, a field studied for over a century, is now attracting computational linguistics researchers. We identified two limitations in previous studies. Firstly, lyric translation studies have predominantly focused on Western genres and languages, with no previous study centering on K-pop despite its popularity. Second, the field of lyric translation suffers from a lack of publicly available datasets; to the best of our knowledge, no such dataset exists. To broaden the scope of genres and languages in lyric translation studies, we introduce a novel singable lyric translation dataset, approximately 89\% of which consists of K-pop song lyrics. This dataset aligns Korean and English lyrics line-by-line and section-by-section. We leveraged this dataset to unveil unique characteristics of K-pop lyric translation, distinguishing it from other extensively studied genres, and to construct a neural lyric translation model, thereby underscoring the importance of a dedicated dataset for singable lyric translations.