Abstract:Existing generative adversarial network (GAN) based conditional image generative models typically produce fixed output for the same conditional input, which is unreasonable for highly subjective tasks, such as large-mask image inpainting or style transfer. On the other hand, GAN-based diverse image generative methods require retraining/fine-tuning the network or designing complex noise injection functions, which is computationally expensive, task-specific, or struggle to generate high-quality results. Given that many deterministic conditional image generative models have been able to produce high-quality yet fixed results, we raise an intriguing question: is it possible for pre-trained deterministic conditional image generative models to generate diverse results without changing network structures or parameters? To answer this question, we re-examine the conditional image generation tasks from the perspective of adversarial attack and propose a simple and efficient plug-in projected gradient descent (PGD) like method for diverse and controllable image generation. The key idea is attacking the pre-trained deterministic generative models by adding a micro perturbation to the input condition. In this way, diverse results can be generated without any adjustment of network structures or fine-tuning of the pre-trained models. In addition, we can also control the diverse results to be generated by specifying the attack direction according to a reference text or image. Our work opens the door to applying adversarial attack to low-level vision tasks, and experiments on various conditional image generation tasks demonstrate the effectiveness and superiority of the proposed method.
Abstract:3D scene stylization refers to transform the appearance of a 3D scene to match a given style image, ensuring that images rendered from different viewpoints exhibit the same style as the given style image, while maintaining the 3D consistency of the stylized scene. Several existing methods have obtained impressive results in stylizing 3D scenes. However, the models proposed by these methods need to be re-trained when applied to a new scene. In other words, their models are coupled with a specific scene and cannot adapt to arbitrary other scenes. To address this issue, we propose a novel 3D scene stylization framework to transfer an arbitrary style to an arbitrary scene, without any style-related or scene-related re-training. Concretely, we first map the appearance of the 3D scene into a 2D style pattern space, which realizes complete disentanglement of the geometry and appearance of the 3D scene and makes our model be generalized to arbitrary 3D scenes. Then we stylize the appearance of the 3D scene in the 2D style pattern space via a prompt-based 2D stylization algorithm. Experimental results demonstrate that our proposed framework is superior to SOTA methods in both visual quality and generalization.
Abstract:Content and style (C-S) disentanglement is a fundamental problem and critical challenge of style transfer. Existing approaches based on explicit definitions (e.g., Gram matrix) or implicit learning (e.g., GANs) are neither interpretable nor easy to control, resulting in entangled representations and less satisfying results. In this paper, we propose a new C-S disentangled framework for style transfer without using previous assumptions. The key insight is to explicitly extract the content information and implicitly learn the complementary style information, yielding interpretable and controllable C-S disentanglement and style transfer. A simple yet effective CLIP-based style disentanglement loss coordinated with a style reconstruction prior is introduced to disentangle C-S in the CLIP image space. By further leveraging the powerful style removal and generative ability of diffusion models, our framework achieves superior results than state of the art and flexible C-S disentanglement and trade-off control. Our work provides new insights into the C-S disentanglement in style transfer and demonstrates the potential of diffusion models for learning well-disentangled C-S characteristics.
Abstract:This paper presents a new adversarial training framework for image inpainting with segmentation confusion adversarial training (SCAT) and contrastive learning. SCAT plays an adversarial game between an inpainting generator and a segmentation network, which provides pixel-level local training signals and can adapt to images with free-form holes. By combining SCAT with standard global adversarial training, the new adversarial training framework exhibits the following three advantages simultaneously: (1) the global consistency of the repaired image, (2) the local fine texture details of the repaired image, and (3) the flexibility of handling images with free-form holes. Moreover, we propose the textural and semantic contrastive learning losses to stabilize and improve our inpainting model's training by exploiting the feature representation space of the discriminator, in which the inpainting images are pulled closer to the ground truth images but pushed farther from the corrupted images. The proposed contrastive losses better guide the repaired images to move from the corrupted image data points to the real image data points in the feature representation space, resulting in more realistic completed images. We conduct extensive experiments on two benchmark datasets, demonstrating our model's effectiveness and superiority both qualitatively and quantitatively.
Abstract:Arbitrary style transfer (AST) transfers arbitrary artistic styles onto content images. Despite the recent rapid progress, existing AST methods are either incapable or too slow to run at ultra-resolutions (e.g., 4K) with limited resources, which heavily hinders their further applications. In this paper, we tackle this dilemma by learning a straightforward and lightweight model, dubbed MicroAST. The key insight is to completely abandon the use of cumbersome pre-trained Deep Convolutional Neural Networks (e.g., VGG) at inference. Instead, we design two micro encoders (content and style encoders) and one micro decoder for style transfer. The content encoder aims at extracting the main structure of the content image. The style encoder, coupled with a modulator, encodes the style image into learnable dual-modulation signals that modulate both intermediate features and convolutional filters of the decoder, thus injecting more sophisticated and flexible style signals to guide the stylizations. In addition, to boost the ability of the style encoder to extract more distinct and representative style signals, we also introduce a new style signal contrastive loss in our model. Compared to the state of the art, our MicroAST not only produces visually superior results but also is 5-73 times smaller and 6-18 times faster, for the first time enabling super-fast (about 0.5 seconds) AST at 4K ultra-resolutions. Code is available at https://github.com/EndyWon/MicroAST.
Abstract:Recent studies have shown remarkable success in universal style transfer which transfers arbitrary visual styles to content images. However, existing approaches suffer from the aesthetic-unrealistic problem that introduces disharmonious patterns and evident artifacts, making the results easy to spot from real paintings. To address this limitation, we propose AesUST, a novel Aesthetic-enhanced Universal Style Transfer approach that can generate aesthetically more realistic and pleasing results for arbitrary styles. Specifically, our approach introduces an aesthetic discriminator to learn the universal human-delightful aesthetic features from a large corpus of artist-created paintings. Then, the aesthetic features are incorporated to enhance the style transfer process via a novel Aesthetic-aware Style-Attention (AesSA) module. Such an AesSA module enables our AesUST to efficiently and flexibly integrate the style patterns according to the global aesthetic channel distribution of the style image and the local semantic spatial distribution of the content image. Moreover, we also develop a new two-stage transfer training strategy with two aesthetic regularizations to train our model more effectively, further improving stylization performance. Extensive experiments and user studies demonstrate that our approach synthesizes aesthetically more harmonious and realistic results than state of the art, greatly narrowing the disparity with real artist-created paintings. Our code is available at https://github.com/EndyWon/AesUST.
Abstract:In this paper, we present the texture reformer, a fast and universal neural-based framework for interactive texture transfer with user-specified guidance. The challenges lie in three aspects: 1) the diversity of tasks, 2) the simplicity of guidance maps, and 3) the execution efficiency. To address these challenges, our key idea is to use a novel feed-forward multi-view and multi-stage synthesis procedure consisting of I) a global view structure alignment stage, II) a local view texture refinement stage, and III) a holistic effect enhancement stage to synthesize high-quality results with coherent structures and fine texture details in a coarse-to-fine fashion. In addition, we also introduce a novel learning-free view-specific texture reformation (VSTR) operation with a new semantic map guidance strategy to achieve more accurate semantic-guided and structure-preserved texture transfer. The experimental results on a variety of application scenarios demonstrate the effectiveness and superiority of our framework. And compared with the state-of-the-art interactive texture transfer algorithms, it not only achieves higher quality results but, more remarkably, also is 2-5 orders of magnitude faster. Code is available at https://github.com/EndyWon/Texture-Reformer.
Abstract:Gram-based and patch-based approaches are two important research lines of image style transfer. Recent diversified Gram-based methods have been able to produce multiple and diverse reasonable solutions for the same content and style inputs. However, as another popular research interest, the diversity of patch-based methods remains challenging due to the stereotyped style swapping process based on nearest patch matching. To resolve this dilemma, in this paper, we dive into the core style swapping process of patch-based style transfer and explore possible ways to diversify it. What stands out is an operation called shifted style normalization (SSN), the most effective and efficient way to empower existing patch-based methods to generate diverse results for arbitrary styles. The key insight is to use an important intuition that neural patches with higher activation values could contribute more to diversity. Theoretical analyses and extensive experiments are conducted to demonstrate the effectiveness of our method, and compared with other possible options and state-of-the-art algorithms, it shows remarkable superiority in both diversity and efficiency.
Abstract:In this paper, we present a novel framework that can achieve multimodal image-to-image translation by simply encouraging the statistical dependence between the latent code and the output image in conditional generative adversarial networks. In addition, by incorporating a U-net generator into our framework, our method only needs to learn a one-sided translation model from the source image domain to the target image domain for both supervised and unsupervised multimodal image-to-image translation. Furthermore, our method also achieves disentanglement between the source domain content and the target domain style for free. We conduct experiments under supervised and unsupervised settings on various benchmark image-to-image translation datasets compared with the state-of-the-art methods, showing the effectiveness and simplicity of our method to achieve multimodal and high-quality results.
Abstract:Image style transfer is an underdetermined problem, where a large number of solutions can explain the same constraint (i.e., the content and style). Most current methods always produce visually identical outputs, which lack of diversity. Recently, some methods have introduced an alternative diversity loss to train the feed-forward networks for diverse outputs, but they still suffer from many issues. In this paper, we propose a simple yet effective method for diversified style transfer. Our method can produce diverse outputs for arbitrary styles by incorporating the whitening and coloring transforms (WCT) with a novel deep feature perturbation (DFP) operation, which uses an orthogonal random noise matrix to perturb the deep image features while keeping the original style information unchanged. In addition, our method is learning-free and could be easily integrated into many existing WCT-based methods and empower them to generate diverse results. Experimental results demonstrate that our method can greatly increase the diversity while maintaining the quality of stylization. And several new user studies show that users could obtain more satisfactory results through the diversified approaches based on our method.