AIM 2024 Challenge on Video Super-Resolution Quality Assessment: Methods and Results

This paper presents the Video Super-Resolution (SR) Quality Assessment (QA) Challenge that was part of the Advances in Image Manipulation (AIM) workshop, held in conjunction with ECCV 2024. The task of this challenge was to develop an objective QA method for videos upscaled 2x and 4x by modern image- and video-SR algorithms. QA methods were evaluated by comparing their output with aggregate subjective scores collected from >150,000 pairwise votes obtained through crowd-sourced comparisons across 52 SR methods and 1124 upscaled videos. The goal was to advance the state-of-the-art in SR QA, which had proven to be a challenging problem with limited applicability of traditional QA methods. The challenge had 29 registered participants, and 5 teams had submitted their final results, all outperforming the current state-of-the-art. All data, including the private test subset, has been made publicly available on the challenge homepage at https://challenges.videoprocessing.ai/challenges/super-resolution-metrics-challenge.html

Can No-Reference Quality-Assessment Methods Serve as Perceptual Losses for Super-Resolution?

Perceptual losses play an important role in constructing deep-neural-network-based methods by increasing the naturalness and realism of processed images and videos. Use of perceptual losses is often limited to LPIPS, a fullreference method. Even though deep no-reference image-qualityassessment methods are excellent at predicting human judgment, little research has examined their incorporation in loss functions. This paper investigates direct optimization of several video-superresolution models using no-reference image-quality-assessment methods as perceptual losses. Our experimental results show that straightforward optimization of these methods produce artifacts, but a special training procedure can mitigate them.

Compressed Video Quality Assessment for Super-Resolution: a Benchmark and a Quality Metric

We developed a super-resolution (SR) benchmark to analyze SR's capacity to upscale compressed videos. Our dataset employed video codecs based on five compression standards: H.264, H.265, H.266, AV1, and AVS3. We assessed 17 state-ofthe-art SR models using our benchmark and evaluated their ability to preserve scene context and their susceptibility to compression artifacts. To get an accurate perceptual ranking of SR models, we conducted a crowd-sourced side-by-side comparison of their outputs. The benchmark is publicly available at https://videoprocessing.ai/benchmarks/super-resolutionfor-video-compression.html. We also analyzed benchmark results and developed an objective-quality-assessment metric based on the current bestperforming objective metrics. Our metric outperforms others, according to Spearman correlation with subjective scores for compressed video upscaling. It is publicly available at https://github.com/EvgeneyBogatyrev/super-resolution-metric.

Combining Contrastive and Supervised Learning for Video Super-Resolution Detection

Upscaled video detection is a helpful tool in multimedia forensics, but it is a challenging task that involves various upscaling and compression algorithms. There are many resolution-enhancement methods, including interpolation and deep-learning-based super-resolution, and they leave unique traces. In this work, we propose a new upscaled-resolution-detection method based on learning of visual representations using contrastive and cross-entropy losses. To explain how the method detects videos, we systematically review the major components of our framework - in particular, we show that most data-augmentation approaches hinder the learning of the method. Through extensive experiments on various datasets, we demonstrate that our method effectively detects upscaling even in compressed videos and outperforms the state-of-the-art alternatives. The code and models are publicly available at https://github.com/msu-video-group/SRDM

Temporally Coherent Person Matting Trained on Fake-Motion Dataset

We propose a novel neural-network-based method to perform matting of videos depicting people that does not require additional user input such as trimaps. Our architecture achieves temporal stability of the resulting alpha mattes by using motion-estimation-based smoothing of image-segmentation algorithm outputs, combined with convolutional-LSTM modules on U-Net skip connections. We also propose a fake-motion algorithm that generates training clips for the video-matting network given photos with ground-truth alpha mattes and background videos. We apply random motion to photos and their mattes to simulate movement one would find in real videos and composite the result with the background clips. It lets us train a deep neural network operating on videos in an absence of a large annotated video dataset and provides ground-truth training-clip foreground optical flow for use in loss functions.

Perceptually Motivated Method for Image Inpainting Comparison

The field of automatic image inpainting has progressed rapidly in recent years, but no one has yet proposed a standard method of evaluating algorithms. This absence is due to the problem's challenging nature: image-inpainting algorithms strive for realism in the resulting images, but realism is a subjective concept intrinsic to human perception. Existing objective image-quality metrics provide a poor approximation of what humans consider more or less realistic. To improve the situation and to better organize both prior and future research in this field, we conducted a subjective comparison of nine state-of-the-art inpainting algorithms and propose objective quality metrics that exhibit high correlation with the results of our comparison.