Analyzable Chain-of-Musical-Thought Prompting for High-Fidelity Music Generation

Autoregressive (AR) models have demonstrated impressive capabilities in generating high-fidelity music. However, the conventional next-token prediction paradigm in AR models does not align with the human creative process in music composition, potentially compromising the musicality of generated samples. To overcome this limitation, we introduce MusiCoT, a novel chain-of-thought (CoT) prompting technique tailored for music generation. MusiCoT empowers the AR model to first outline an overall music structure before generating audio tokens, thereby enhancing the coherence and creativity of the resulting compositions. By leveraging the contrastive language-audio pretraining (CLAP) model, we establish a chain of "musical thoughts", making MusiCoT scalable and independent of human-labeled data, in contrast to conventional CoT methods. Moreover, MusiCoT allows for in-depth analysis of music structure, such as instrumental arrangements, and supports music referencing -- accepting variable-length audio inputs as optional style references. This innovative approach effectively addresses copying issues, positioning MusiCoT as a vital practical method for music prompting. Our experimental results indicate that MusiCoT consistently achieves superior performance across both objective and subjective metrics, producing music quality that rivals state-of-the-art generation models. Our samples are available at https://MusiCoT.github.io/.

Towards Improving the Expressiveness of Singing Voice Synthesis with BERT Derived Semantic Information

This paper presents an end-to-end high-quality singing voice synthesis (SVS) system that uses bidirectional encoder representation from Transformers (BERT) derived semantic embeddings to improve the expressiveness of the synthesized singing voice. Based on the main architecture of recently proposed VISinger, we put forward several specific designs for expressive singing voice synthesis. First, different from the previous SVS models, we use text representation of lyrics extracted from pre-trained BERT as additional input to the model. The representation contains information about semantics of the lyrics, which could help SVS system produce more expressive and natural voice. Second, we further introduce an energy predictor to stabilize the synthesized voice and model the wider range of energy variations that also contribute to the expressiveness of singing voice. Last but not the least, to attenuate the off-key issues, the pitch predictor is re-designed to predict the real to note pitch ratio. Both objective and subjective experimental results indicate that the proposed SVS system can produce singing voice with higher-quality outperforming VISinger.