Improved Text Emotion Prediction Using Combined Valence and Arousal Ordinal Classification

Emotion detection in textual data has received growing interest in recent years, as it is pivotal for developing empathetic human-computer interaction systems. This paper introduces a method for categorizing emotions from text, which acknowledges and differentiates between the diversified similarities and distinctions of various emotions. Initially, we establish a baseline by training a transformer-based model for standard emotion classification, achieving state-of-the-art performance. We argue that not all misclassifications are of the same importance, as there are perceptual similarities among emotional classes. We thus redefine the emotion labeling problem by shifting it from a traditional classification model to an ordinal classification one, where discrete emotions are arranged in a sequential order according to their valence levels. Finally, we propose a method that performs ordinal classification in the two-dimensional emotion space, considering both valence and arousal scales. The results show that our approach not only preserves high accuracy in emotion prediction but also significantly reduces the magnitude of errors in cases of misclassification.

Low-Resource Cross-Domain Singing Voice Synthesis via Reduced Self-Supervised Speech Representations

In this paper, we propose a singing voice synthesis model, Karaoker-SSL, that is trained only on text and speech data as a typical multi-speaker acoustic model. It is a low-resource pipeline that does not utilize any singing data end-to-end, since its vocoder is also trained on speech data. Karaoker-SSL is conditioned by self-supervised speech representations in an unsupervised manner. We preprocess these representations by selecting only a subset of their task-correlated dimensions. The conditioning module is indirectly guided to capture style information during training by multi-tasking. This is achieved with a Conformer-based module, which predicts the pitch from the acoustic model's output. Thus, Karaoker-SSL allows singing voice synthesis without reliance on hand-crafted and domain-specific features. There are also no requirements for text alignments or lyrics timestamps. To refine the voice quality, we employ a U-Net discriminator that is conditioned on the target speaker and follows a Diffusion GAN training scheme.

Controllable speech synthesis by learning discrete phoneme-level prosodic representations

In this paper, we present a novel method for phoneme-level prosody control of F0 and duration using intuitive discrete labels. We propose an unsupervised prosodic clustering process which is used to discretize phoneme-level F0 and duration features from a multispeaker speech dataset. These features are fed as an input sequence of prosodic labels to a prosody encoder module which augments an autoregressive attention-based text-to-speech model. We utilize various methods in order to improve prosodic control range and coverage, such as augmentation, F0 normalization, balanced clustering for duration and speaker-independent clustering. The final model enables fine-grained phoneme-level prosody control for all speakers contained in the training set, while maintaining the speaker identity. Instead of relying on reference utterances for inference, we introduce a prior prosody encoder which learns the style of each speaker and enables speech synthesis without the requirement of reference audio. We also fine-tune the multispeaker model to unseen speakers with limited amounts of data, as a realistic application scenario and show that the prosody control capabilities are maintained, verifying that the speaker-independent prosodic clustering is effective. Experimental results show that the model has high output speech quality and that the proposed method allows efficient prosody control within each speaker's range despite the variability that a multispeaker setting introduces.

Prosodic Clustering for Phoneme-level Prosody Control in End-to-End Speech Synthesis

This paper presents a method for controlling the prosody at the phoneme level in an autoregressive attention-based text-to-speech system. Instead of learning latent prosodic features with a variational framework as is commonly done, we directly extract phoneme-level F0 and duration features from the speech data in the training set. Each prosodic feature is discretized using unsupervised clustering in order to produce a sequence of prosodic labels for each utterance. This sequence is used in parallel to the phoneme sequence in order to condition the decoder with the utilization of a prosodic encoder and a corresponding attention module. Experimental results show that the proposed method retains the high quality of generated speech, while allowing phoneme-level control of F0 and duration. By replacing the F0 cluster centroids with musical notes, the model can also provide control over the note and octave within the range of the speaker.

Improved Prosodic Clustering for Multispeaker and Speaker-independent Phoneme-level Prosody Control

This paper presents a method for phoneme-level prosody control of F0 and duration on a multispeaker text-to-speech setup, which is based on prosodic clustering. An autoregressive attention-based model is used, incorporating multispeaker architecture modules in parallel to a prosody encoder. Several improvements over the basic single-speaker method are proposed that increase the prosodic control range and coverage. More specifically we employ data augmentation, F0 normalization, balanced clustering for duration, and speaker-independent prosodic clustering. These modifications enable fine-grained phoneme-level prosody control for all speakers contained in the training set, while maintaining the speaker identity. The model is also fine-tuned to unseen speakers with limited amounts of data and it is shown to maintain its prosody control capabilities, verifying that the speaker-independent prosodic clustering is effective. Experimental results verify that the model maintains high output speech quality and that the proposed method allows efficient prosody control within each speaker's range despite the variability that a multispeaker setting introduces.

Rapping-Singing Voice Synthesis based on Phoneme-level Prosody Control

In this paper, a text-to-rapping/singing system is introduced, which can be adapted to any speaker's voice. It utilizes a Tacotron-based multispeaker acoustic model trained on read-only speech data and which provides prosody control at the phoneme level. Dataset augmentation and additional prosody manipulation based on traditional DSP algorithms are also investigated. The neural TTS model is fine-tuned to an unseen speaker's limited recordings, allowing rapping/singing synthesis with the target's speaker voice. The detailed pipeline of the system is described, which includes the extraction of the target pitch and duration values from an a capella song and their conversion into target speaker's valid range of notes before synthesis. An additional stage of prosodic manipulation of the output via WSOLA is also investigated for better matching the target duration values. The synthesized utterances can be mixed with an instrumental accompaniment track to produce a complete song. The proposed system is evaluated via subjective listening tests as well as in comparison to an available alternate system which also aims to produce synthetic singing voice from read-only training data. Results show that the proposed approach can produce high quality rapping/singing voice with increased naturalness.