Abstract:In recent years there has been a resurgence of interest in our community in the shape analysis of 3D objects represented by surface meshes, their voxelized interiors, or surface point clouds. In part, this interest has been stimulated by the increased availability of RGBD cameras, and by applications of computer vision to autonomous driving, medical imaging, and robotics. In these settings, spectral coordinates have shown promise for shape representation due to their ability to incorporate both local and global shape properties in a manner that is qualitatively invariant to isometric transformations. Yet, surprisingly, such coordinates have thus far typically considered only local surface positional or derivative information. In the present article, we propose to equip spectral coordinates with medial (object width) information, so as to enrich them. The key idea is to couple surface points that share a medial ball, via the weights of the adjacency matrix. We develop a spectral feature using this idea, and the algorithms to compute it. The incorporation of object width and medial coupling has direct benefits, as illustrated by our experiments on object classification, object part segmentation, and surface point correspondence.
Abstract:Humans are excellent at perceiving illusory outlines. We are readily able to complete contours, shapes, scenes, and even unseen objects when provided with images that contain broken fragments of a connected appearance. In vision science, this ability is largely explained by perceptual grouping: a foundational set of processes in human vision that describes how separated elements can be grouped. In this paper, we revisit an algorithm called Stochastic Completion Fields (SCFs) that mechanizes a set of such processes -- good continuity, closure, and proximity -- through contour completion. This paper implements a modernized model of the SCF algorithm, and uses it in an image editing framework where we propose novel methods to complete fragmented contours. We show how the SCF algorithm plausibly mimics results in human perception. We use the SCF completed contours as guides for inpainting, and show that our guides improve the performance of state-of-the-art models. Additionally, we show that the SCF aids in finding edges in high-noise environments. Overall, our described algorithms resemble an important mechanism in the human visual system, and offer a novel framework that modern computer vision models can benefit from.