Stylebreeder: Exploring and Democratizing Artistic Styles through Text-to-Image Models

Text-to-image models are becoming increasingly popular, revolutionizing the landscape of digital art creation by enabling highly detailed and creative visual content generation. These models have been widely employed across various domains, particularly in art generation, where they facilitate a broad spectrum of creative expression and democratize access to artistic creation. In this paper, we introduce \texttt{STYLEBREEDER}, a comprehensive dataset of 6.8M images and 1.8M prompts generated by 95K users on Artbreeder, a platform that has emerged as a significant hub for creative exploration with over 13M users. We introduce a series of tasks with this dataset aimed at identifying diverse artistic styles, generating personalized content, and recommending styles based on user interests. By documenting unique, user-generated styles that transcend conventional categories like 'cyberpunk' or 'Picasso,' we explore the potential for unique, crowd-sourced styles that could provide deep insights into the collective creative psyche of users worldwide. We also evaluate different personalization methods to enhance artistic expression and introduce a style atlas, making these models available in LoRA format for public use. Our research demonstrates the potential of text-to-image diffusion models to uncover and promote unique artistic expressions, further democratizing AI in art and fostering a more diverse and inclusive artistic community. The dataset, code and models are available at https://stylebreeder.github.io under a Public Domain (CC0) license.

The Curious Case of End Token: A Zero-Shot Disentangled Image Editing using CLIP

Diffusion models have become prominent in creating high-quality images. However, unlike GAN models celebrated for their ability to edit images in a disentangled manner, diffusion-based text-to-image models struggle to achieve the same level of precise attribute manipulation without compromising image coherence. In this paper, CLIP which is often used in popular text-to-image diffusion models such as Stable Diffusion is capable of performing disentangled editing in a zero-shot manner. Through both qualitative and quantitative comparisons with state-of-the-art editing methods, we show that our approach yields competitive results. This insight may open opportunities for applying this method to various tasks, including image and video editing, providing a lightweight and efficient approach for disentangled editing.

GANTASTIC: GAN-based Transfer of Interpretable Directions for Disentangled Image Editing in Text-to-Image Diffusion Models

The rapid advancement in image generation models has predominantly been driven by diffusion models, which have demonstrated unparalleled success in generating high-fidelity, diverse images from textual prompts. Despite their success, diffusion models encounter substantial challenges in the domain of image editing, particularly in executing disentangled edits-changes that target specific attributes of an image while leaving irrelevant parts untouched. In contrast, Generative Adversarial Networks (GANs) have been recognized for their success in disentangled edits through their interpretable latent spaces. We introduce GANTASTIC, a novel framework that takes existing directions from pre-trained GAN models-representative of specific, controllable attributes-and transfers these directions into diffusion-based models. This novel approach not only maintains the generative quality and diversity that diffusion models are known for but also significantly enhances their capability to perform precise, targeted image edits, thereby leveraging the best of both worlds.

MIST: Mitigating Intersectional Bias with Disentangled Cross-Attention Editing in Text-to-Image Diffusion Models

Diffusion-based text-to-image models have rapidly gained popularity for their ability to generate detailed and realistic images from textual descriptions. However, these models often reflect the biases present in their training data, especially impacting marginalized groups. While prior efforts to debias language models have focused on addressing specific biases, such as racial or gender biases, efforts to tackle intersectional bias have been limited. Intersectional bias refers to the unique form of bias experienced by individuals at the intersection of multiple social identities. Addressing intersectional bias is crucial because it amplifies the negative effects of discrimination based on race, gender, and other identities. In this paper, we introduce a method that addresses intersectional bias in diffusion-based text-to-image models by modifying cross-attention maps in a disentangled manner. Our approach utilizes a pre-trained Stable Diffusion model, eliminates the need for an additional set of reference images, and preserves the original quality for unaltered concepts. Comprehensive experiments demonstrate that our method surpasses existing approaches in mitigating both single and intersectional biases across various attributes. We make our source code and debiased models for various attributes available to encourage fairness in generative models and to support further research.

RAVE: Randomized Noise Shuffling for Fast and Consistent Video Editing with Diffusion Models

Recent advancements in diffusion-based models have demonstrated significant success in generating images from text. However, video editing models have not yet reached the same level of visual quality and user control. To address this, we introduce RAVE, a zero-shot video editing method that leverages pre-trained text-to-image diffusion models without additional training. RAVE takes an input video and a text prompt to produce high-quality videos while preserving the original motion and semantic structure. It employs a novel noise shuffling strategy, leveraging spatio-temporal interactions between frames, to produce temporally consistent videos faster than existing methods. It is also efficient in terms of memory requirements, allowing it to handle longer videos. RAVE is capable of a wide range of edits, from local attribute modifications to shape transformations. In order to demonstrate the versatility of RAVE, we create a comprehensive video evaluation dataset ranging from object-focused scenes to complex human activities like dancing and typing, and dynamic scenes featuring swimming fish and boats. Our qualitative and quantitative experiments highlight the effectiveness of RAVE in diverse video editing scenarios compared to existing methods. Our code, dataset and videos can be found in https://rave-video.github.io.