Style Based Clustering of Visual Artworks

Clustering artworks based on style has many potential real-world applications like art recommendations, style-based search and retrieval, and the study of artistic style evolution in an artwork corpus. However, clustering artworks based on style is largely an unaddressed problem. A few present methods for clustering artworks principally rely on generic image feature representations derived from deep neural networks and do not specifically deal with the artistic style. In this paper, we introduce and deliberate over the notion of style-based clustering of visual artworks. Our main objective is to explore neural feature representations and architectures that can be used for style-based clustering and observe their impact and effectiveness. We develop different methods and assess their relative efficacy for style-based clustering through qualitative and quantitative analysis by applying them to four artwork corpora and four curated synthetically styled datasets. Our analysis provides some key novel insights on architectures, feature representations, and evaluation methods suitable for style-based clustering.

Multi-Subject Personalization

Creative story illustration requires a consistent interplay of multiple characters or objects. However, conventional text-to-image models face significant challenges while producing images featuring multiple personalized subjects. For example, they distort the subject rendering, or the text descriptions fail to render coherent subject interactions. We present Multi-Subject Personalization (MSP) to alleviate some of these challenges. We implement MSP using Stable Diffusion and assess our approach against other text-to-image models, showcasing its consistent generation of good-quality images representing intended subjects and interactions.

CustomText: Customized Textual Image Generation using Diffusion Models

Textual image generation spans diverse fields like advertising, education, product packaging, social media, information visualization, and branding. Despite recent strides in language-guided image synthesis using diffusion models, current models excel in image generation but struggle with accurate text rendering and offer limited control over font attributes. In this paper, we aim to enhance the synthesis of high-quality images with precise text customization, thereby contributing to the advancement of image generation models. We call our proposed method CustomText. Our implementation leverages a pre-trained TextDiffuser model to enable control over font color, background, and types. Additionally, to address the challenge of accurately rendering small-sized fonts, we train the ControlNet model for a consistency decoder, significantly enhancing text-generation performance. We assess the performance of CustomText in comparison to previous methods of textual image generation on the publicly available CTW-1500 dataset and a self-curated dataset for small-text generation, showcasing superior results.

Composite Diffusion | whole >= Σparts

For an artist or a graphic designer, the spatial layout of a scene is a critical design choice. However, existing text-to-image diffusion models provide limited support for incorporating spatial information. This paper introduces Composite Diffusion as a means for artists to generate high-quality images by composing from the sub-scenes. The artists can specify the arrangement of these sub-scenes through a flexible free-form segment layout. They can describe the content of each sub-scene primarily using natural text and additionally by utilizing reference images or control inputs such as line art, scribbles, human pose, canny edges, and more. We provide a comprehensive and modular method for Composite Diffusion that enables alternative ways of generating, composing, and harmonizing sub-scenes. Further, we wish to evaluate the composite image for effectiveness in both image quality and achieving the artist's intent. We argue that existing image quality metrics lack a holistic evaluation of image composites. To address this, we propose novel quality criteria especially relevant to composite generation. We believe that our approach provides an intuitive method of art creation. Through extensive user surveys, quantitative and qualitative analysis, we show how it achieves greater spatial, semantic, and creative control over image generation. In addition, our methods do not need to retrain or modify the architecture of the base diffusion models and can work in a plug-and-play manner with the fine-tuned models.