BroadTrack: Broadcast Camera Tracking for Soccer

Camera calibration and localization, sometimes simply named camera calibration, enables many applications in the context of soccer broadcasting, for instance regarding the interpretation and analysis of the game, or the insertion of augmented reality graphics for storytelling or refereeing purposes. To contribute to such applications, the research community has typically focused on single-view calibration methods, leveraging the near-omnipresence of soccer field markings in wide-angle broadcast views, but leaving all temporal aspects, if considered at all, to general-purpose tracking or filtering techniques. Only a few contributions have been made to leverage any domain-specific knowledge for this tracking task, and, as a result, there lacks a truly performant and off-the-shelf camera tracking system tailored for soccer broadcasting, specifically for elevated tripod-mounted cameras around the stadium. In this work, we present such a system capable of addressing the task of soccer broadcast camera tracking efficiently, robustly, and accurately, outperforming by far the most precise methods of the state-of-the-art. By combining the available open-source soccer field detectors with carefully designed camera and tripod models, our tracking system, BroadTrack, halves the mean reprojection error rate and gains more than 15% in terms of Jaccard index for camera calibration on the SoccerNet dataset. Furthermore, as the SoccerNet dataset videos are relatively short (30 seconds), we also present qualitative results on a 20-minute broadcast clip to showcase the robustness and the soundness of our system.

A Universal Protocol to Benchmark Camera Calibration for Sports

Camera calibration is a crucial component in the realm of sports analytics, as it serves as the foundation to extract 3D information out of the broadcast images. Despite the significance of camera calibration research in sports analytics, progress is impeded by outdated benchmarking criteria. Indeed, the annotation data and evaluation metrics provided by most currently available benchmarks strongly favor and incite the development of sports field registration methods, i.e. methods estimating homographies that map the sports field plane to the image plane. However, such homography-based methods are doomed to overlook the broader capabilities of camera calibration in bridging the 3D world to the image. In particular, real-world non-planar sports field elements (such as goals, corner flags, baskets, ...) and image distortion caused by broadcast camera lenses are out of the scope of sports field registration methods. To overcome these limitations, we designed a new benchmarking protocol, named ProCC, based on two principles: (1) the protocol should be agnostic to the camera model chosen for a camera calibration method, and (2) the protocol should fairly evaluate camera calibration methods using the reprojection of arbitrary yet accurately known 3D objects. Indirectly, we also provide insights into the metric used in SoccerNet-calibration, which solely relies on image annotation data of viewed 3D objects as ground truth, thus implementing our protocol. With experiments on the World Cup 2014, CARWC, and SoccerNet datasets, we show that our benchmarking protocol provides fairer evaluations of camera calibration methods. By defining our requirements for proper benchmarking, we hope to pave the way for a new stage in camera calibration for sports applications with high accuracy standards.

Dynamic NeRFs for Soccer Scenes

The long-standing problem of novel view synthesis has many applications, notably in sports broadcasting. Photorealistic novel view synthesis of soccer actions, in particular, is of enormous interest to the broadcast industry. Yet only a few industrial solutions have been proposed, and even fewer that achieve near-broadcast quality of the synthetic replays. Except for their setup of multiple static cameras around the playfield, the best proprietary systems disclose close to no information about their inner workings. Leveraging multiple static cameras for such a task indeed presents a challenge rarely tackled in the literature, for a lack of public datasets: the reconstruction of a large-scale, mostly static environment, with small, fast-moving elements. Recently, the emergence of neural radiance fields has induced stunning progress in many novel view synthesis applications, leveraging deep learning principles to produce photorealistic results in the most challenging settings. In this work, we investigate the feasibility of basing a solution to the task on dynamic NeRFs, i.e., neural models purposed to reconstruct general dynamic content. We compose synthetic soccer environments and conduct multiple experiments using them, identifying key components that help reconstruct soccer scenes with dynamic NeRFs. We show that, although this approach cannot fully meet the quality requirements for the target application, it suggests promising avenues toward a cost-efficient, automatic solution. We also make our work dataset and code publicly available, with the goal to encourage further efforts from the research community on the task of novel view synthesis for dynamic soccer scenes. For code, data, and video results, please see https://soccernerfs.isach.be.