Semantic Analysis of Visual Symmetry: A Human-Centred Computational Model for Declarative Explainability

We present a computational model for the semantic interpretation of symmetry in naturalistic scenes. Key features include a human-centred representation, and a declarative, explainable interpretation model supporting deep semantic question-answering founded on an integration of methods in knowledge representation and deep learning based computer vision. In the backdrop of the visual arts, we showcase the framework's capability to generate human-centred, queryable, relational structures, also evaluating the framework with an empirical study on the human perception of visual symmetry. Our framework represents and is driven by the application of foundational, integrated Vision and Knowledge Representation and Reasoning methods for applications in the arts, and the psychological and social sciences.

Color: A Crucial Factor for Aesthetic Quality Assessment in a Subjective Dataset of Paintings

Computational aesthetics is an emerging field of research which has attracted different research groups in the last few years. In this field, one of the main approaches to evaluate the aesthetic quality of paintings and photographs is a feature-based approach. Among the different features proposed to reach this goal, color plays an import role. In this paper, we introduce a novel dataset that consists of paintings of Western provenance from 36 well-known painters from the 15th to the 20th century. As a first step and to assess this dataset, using a classifier, we investigate the correlation between the subjective scores and two widely used features that are related to color perception and in different aesthetic quality assessment approaches. Results show a classification rate of up to 73% between the color features and the subjective scores.