Artificial Intelligence for Geometry-Based Feature Extraction, Analysis and Synthesis in Artistic Images: A Survey

Artificial Intelligence significantly enhances the visual art industry by analyzing, identifying and generating digitized artistic images. This review highlights the substantial benefits of integrating geometric data into AI models, addressing challenges such as high inter-class variations, domain gaps, and the separation of style from content by incorporating geometric information. Models not only improve AI-generated graphics synthesis quality, but also effectively distinguish between style and content, utilizing inherent model biases and shared data traits. We explore methods like geometric data extraction from artistic images, the impact on human perception, and its use in discriminative tasks. The review also discusses the potential for improving data quality through innovative annotation techniques and the use of geometric data to enhance model adaptability and output refinement. Overall, incorporating geometric guidance boosts model performance in classification and synthesis tasks, providing crucial insights for future AI applications in the visual arts domain.

ST-SACLF: Style Transfer Informed Self-Attention Classifier for Bias-Aware Painting Classification

Painting classification plays a vital role in organizing, finding, and suggesting artwork for digital and classic art galleries. Existing methods struggle with adapting knowledge from the real world to artistic images during training, leading to poor performance when dealing with different datasets. Our innovation lies in addressing these challenges through a two-step process. First, we generate more data using Style Transfer with Adaptive Instance Normalization (AdaIN), bridging the gap between diverse styles. Then, our classifier gains a boost with feature-map adaptive spatial attention modules, improving its understanding of artistic details. Moreover, we tackle the problem of imbalanced class representation by dynamically adjusting augmented samples. Through a dual-stage process involving careful hyperparameter search and model fine-tuning, we achieve an impressive 87.24\% accuracy using the ResNet-50 backbone over 40 training epochs. Our study explores quantitative analyses that compare different pretrained backbones, investigates model optimization through ablation studies, and examines how varying augmentation levels affect model performance. Complementing this, our qualitative experiments offer valuable insights into the model's decision-making process using spatial attention and its ability to differentiate between easy and challenging samples based on confidence ranking.

Tackling Data Bias in Painting Classification with Style Transfer

It is difficult to train classifiers on paintings collections due to model bias from domain gaps and data bias from the uneven distribution of artistic styles. Previous techniques like data distillation, traditional data augmentation and style transfer improve classifier training using task specific training datasets or domain adaptation. We propose a system to handle data bias in small paintings datasets like the Kaokore dataset while simultaneously accounting for domain adaptation in fine-tuning a model trained on real world images. Our system consists of two stages which are style transfer and classification. In the style transfer stage, we generate the stylized training samples per class with uniformly sampled content and style images and train the style transformation network per domain. In the classification stage, we can interpret the effectiveness of the style and content layers at the attention layers when training on the original training dataset and the stylized images. We can tradeoff the model performance and convergence by dynamically varying the proportion of augmented samples in the majority and minority classes. We achieve comparable results to the SOTA with fewer training epochs and a classifier with fewer training parameters.