Gesture Classification in Artworks Using Contextual Image Features

Recognizing gestures in artworks can add a valuable dimension to art understanding and help to acknowledge the role of the sense of smell in cultural heritage. We propose a method to recognize smell gestures in historical artworks. We show that combining local features with global image context improves classification performance notably on different backbones.

Novel Artistic Scene-Centric Datasets for Effective Transfer Learning in Fragrant Spaces

Olfaction, often overlooked in cultural heritage studies, holds profound significance in shaping human experiences and identities. Examining historical depictions of olfactory scenes can offer valuable insights into the role of smells in history. We show that a transfer-learning approach using weakly labeled training data can remarkably improve the classification of fragrant spaces and, more generally, artistic scene depictions. We fine-tune Places365-pre-trained models by querying two cultural heritage data sources and using the search terms as supervision signal. The models are evaluated on two manually corrected test splits. This work lays a foundation for further exploration of fragrant spaces recognition and artistic scene classification. All images and labels are released as the ArtPlaces dataset at https://zenodo.org/doi/10.5281/zenodo.11584328.

Smell and Emotion: Recognising emotions in smell-related artworks

Emotions and smell are underrepresented in digital art history. In this exploratory work, we show that recognising emotions from smell-related artworks is technically feasible but has room for improvement. Using style transfer and hyperparameter optimization we achieve a minor performance boost and open up the field for future extensions.

SniffyArt: The Dataset of Smelling Persons

Smell gestures play a crucial role in the investigation of past smells in the visual arts yet their automated recognition poses significant challenges. This paper introduces the SniffyArt dataset, consisting of 1941 individuals represented in 441 historical artworks. Each person is annotated with a tightly fitting bounding box, 17 pose keypoints, and a gesture label. By integrating these annotations, the dataset enables the development of hybrid classification approaches for smell gesture recognition. The datasets high-quality human pose estimation keypoints are achieved through the merging of five separate sets of keypoint annotations per person. The paper also presents a baseline analysis, evaluating the performance of representative algorithms for detection, keypoint estimation, and classification tasks, showcasing the potential of combining keypoint estimation with smell gesture classification. The SniffyArt dataset lays a solid foundation for future research and the exploration of multi-task approaches leveraging pose keypoints and person boxes to advance human gesture and olfactory dimension analysis in historical artworks.

Transfer Learning for Olfactory Object Detection

We investigate the effect of style and category similarity in multiple datasets used for object detection pretraining. We find that including an additional stage of object-detection pretraining can increase the detection performance considerably. While our experiments suggest that style similarities between pre-training and target datasets are less important than matching categories, further experiments are needed to verify this hypothesis.

ODOR: The ICPR2022 ODeuropa Challenge on Olfactory Object Recognition

The Odeuropa Challenge on Olfactory Object Recognition aims to foster the development of object detection in the visual arts and to promote an olfactory perspective on digital heritage. Object detection in historical artworks is particularly challenging due to varying styles and artistic periods. Moreover, the task is complicated due to the particularity and historical variance of predefined target objects, which exhibit a large intra-class variance, and the long tail distribution of the dataset labels, with some objects having only very few training examples. These challenges should encourage participants to create innovative approaches using domain adaptation or few-shot learning. We provide a dataset of 2647 artworks annotated with 20 120 tightly fit bounding boxes that are split into a training and validation set (public). A test set containing 1140 artworks and 15 480 annotations is kept private for the challenge evaluation.