Subversive Characters and Stereotyping Readers: Characterizing Queer Relationalities with Dialogue-Based Relation Extraction

Television is often seen as a site for subcultural identification and subversive fantasy, including in queer cultures. How might we measure subversion, or the degree to which the depiction of social relationship between a dyad (e.g. two characters who are colleagues) deviates from its typical representation on TV? To explore this question, we introduce the task of stereotypic relationship extraction. Built on cognitive stylistics, linguistic anthropology, and dialogue relation extraction, in this paper, we attempt to model the cognitive process of stereotyping TV characters in dialogic interactions. Given a dyad, we want to predict: what social relationship do the speakers exhibit through their words? Subversion is then characterized by the discrepancy between the distribution of the model's predictions and the ground truth labels. To demonstrate the usefulness of this task and gesture at a methodological intervention, we enclose four case studies to characterize the representation of queer relationalities in the Big Bang Theory, Frasier, and Gilmore Girls, as we explore the suspicious and reparative modes of reading with our computational methods.

On Classification with Large Language Models in Cultural Analytics

In this work, we survey the way in which classification is used as a sensemaking practice in cultural analytics, and assess where large language models can fit into this landscape. We identify ten tasks supported by publicly available datasets on which we empirically assess the performance of LLMs compared to traditional supervised methods, and explore the ways in which LLMs can be employed for sensemaking goals beyond mere accuracy. We find that prompt-based LLMs are competitive with traditional supervised models for established tasks, but perform less well on de novo tasks. In addition, LLMs can assist sensemaking by acting as an intermediary input to formal theory testing.

Dramatic Conversation Disentanglement

We present a new dataset for studying conversation disentanglement in movies and TV series. While previous work has focused on conversation disentanglement in IRC chatroom dialogues, movies and TV shows provide a space for studying complex pragmatic patterns of floor and topic change in face-to-face multi-party interactions. In this work, we draw on theoretical research in sociolinguistics, sociology, and film studies to operationalize a conversational thread (including the notion of a floor change) in dramatic texts, and use that definition to annotate a dataset of 10,033 dialogue turns (comprising 2,209 threads) from 831 movies. We compare the performance of several disentanglement models on this dramatic dataset, and apply the best-performing model to disentangle 808 movies. We see that, contrary to expectation, average thread lengths do not decrease significantly over the past 40 years, and characters portrayed by actors who are women, while underrepresented, initiate more new conversational threads relative to their speaking time.

Speak, Memory: An Archaeology of Books Known to ChatGPT/GPT-4

In this work, we carry out a data archaeology to infer books that are known to ChatGPT and GPT-4 using a name cloze membership inference query. We find that OpenAI models have memorized a wide collection of copyrighted materials, and that the degree of memorization is tied to the frequency with which passages of those books appear on the web. The ability of these models to memorize an unknown set of books complicates assessments of measurement validity for cultural analytics by contaminating test data; we show that models perform much better on memorized books than on non-memorized books for downstream tasks. We argue that this supports a case for open models whose training data is known.