Abstract:User studies are crucial for meeting user needs. In user studies, real experimental scenarios and participants are constructed and recruited. However, emerging and unfamiliar studies face limitations, including safety concerns and iterative efficiency. To address these challenges, this study utilizes a large language model (LLM) to create generative AI virtual scenarios for user experience. By recruiting real users to evaluate this experience, we can collect feedback that enables rapid iteration in the early design phase. The air taxi is particularly representative of these challenges and has been chosen as the case study for this research. The key contribution was designing a virtual ATJ using OpenAI's GPT-4 model and AI image and video generators. Based on the LLM-generated scripts, key visuals were created for the air taxi, and the ATJ was evaluated by 72 participants. Furthermore, the LLM demonstrated the ability to identify and suggest environments that significantly improve participants' attitudes toward air taxis. Education level and gender significantly influenced participants' attitudes and their satisfaction with the ATJ. Our study confirms the capability of generative AI to support user studies, providing a feasible approach and valuable insights for designing air taxi user experiences in the early design phase.
Abstract:This study introduces a novel approach to generate dance motions using onomatopoeia as input, with the aim of enhancing creativity and diversity in dance generation. Unlike text and music, onomatopoeia conveys rhythm and meaning through abstract word expressions without constraints on expression and without need for specialized knowledge. We adapt the AI Choreographer framework and employ the Sakamoto system, a feature extraction method for onomatopoeia focusing on phonemes and syllables. Additionally, we present a new dataset of 40 onomatopoeia-dance motion pairs collected through a user survey. Our results demonstrate that the proposed method enables more intuitive dance generation and can create dance motions using sound-symbolic words from a variety of languages, including those without onomatopoeia. This highlights the potential for diverse dance creation across different languages and cultures, accessible to a wider audience. Qualitative samples from our model can be found at: https://sites.google.com/view/onomatopoeia-dance/home/.