Places in the Wild: A Large, High-Resolution RAW Photograph Dataset for Ecologically Valid Vision Research

Large image datasets have accelerated progress in cognitive neuroscience and computer vision. However, most datasets are low-resolution, internet-sourced JPEGs with unknown capture conditions and limited spatial context. Places in the Wild is a dataset of 67,574 high-resolution photographs collected in situ across 810 physical locations spanning 260 basic-level scene categories, including indoor, urban, and natural environments. At each location, a 45-megapixel Canon EOS R5 mounted on a panoramic tripod captured 72 images at 5-degree horizontal intervals plus 12 images at varying elevations, yielding dense 360-degree viewpoint sampling. All images were recorded simultaneously as 14-bit RAW (CR3) files and compressed JPEGs, preserving sensor-level detail for analyses of luminance, contrast, color, and other image statistics. The dataset is accompanied by complete EXIF metadata and a suite of image-quality metrics. Places in the Wild supports research on viewpoint-dependent recognition in humans and models, training and evaluation of scene-understanding systems under realistic conditions, characterization of natural scene statistics, and experiments requiring near-full-field visual displays.

The Limits of Learning from Pictures and Text: Vision-Language Models and Embodied Scene Understanding

What information is sufficient to learn the full richness of human scene understanding? The distributional hypothesis holds that the statistical co-occurrence of language and images captures the conceptual knowledge underlying visual cognition. Vision-language models (VLMs) are trained on massive paired text-image corpora but lack embodied experience, making them an ideal test of the distributional hypothesis. We report two experiments comparing descriptions generated by 18 VLMs to those of over 2000 human observers across 15 high-level scene understanding tasks, spanning general knowledge, affordances, sensory experiences, affective responses, and future prediction. Because many tasks lack ground truth answers, we developed a Human-Calibrated Cosine Distance (HCD) metric that measures VLM output similarity to the distribution of human responses, scaled by within-human variability. In Experiment 1, VLMs approached human-level performance on general knowledge tasks, but showed a robust deficit for affordance tasks that resisted prompt engineering and did not improve with newer model releases. In Experiment 2, we tested six mechanistic hypotheses for explaining this affordance gap, finding that the deficit was structural rather than stylistic and was not resolved by providing explicit spatial information. Corpus analyses revealed that image captioning datasets contain sparse agent-addressed affordance language, consistent with Gricean accounts of why embodied knowledge may be systematically underrepresented in language. Together, these findings suggest that distributional learning from images and text is insufficient for affordance-based scene understanding, implying that some dimensions of human visual cognition may require the kind of agent-centered, three-dimensional experience that no photograph or caption can encode.

Digital Divides in Scene Recognition: Uncovering Socioeconomic Biases in Deep Learning Systems

Computer-based scene understanding has influenced fields ranging from urban planning to autonomous vehicle performance, yet little is known about how well these technologies work across social differences. We investigate the biases of deep convolutional neural networks (dCNNs) in scene classification, using nearly one million images from global and US sources, including user-submitted home photographs and Airbnb listings. We applied statistical models to quantify the impact of socioeconomic indicators such as family income, Human Development Index (HDI), and demographic factors from public data sources (CIA and US Census) on dCNN performance. Our analyses revealed significant socioeconomic bias, where pretrained dCNNs demonstrated lower classification accuracy, lower classification confidence, and a higher tendency to assign labels that could be offensive when applied to homes (e.g., "ruin", "slum"), especially in images from homes with lower socioeconomic status (SES). This trend is consistent across two datasets of international images and within the diverse economic and racial landscapes of the United States. This research contributes to understanding biases in computer vision, emphasizing the need for more inclusive and representative training datasets. By mitigating the bias in the computer vision pipelines, we can ensure fairer and more equitable outcomes for applied computer vision, including home valuation and smart home security systems. There is urgency in addressing these biases, which can significantly impact critical decisions in urban development and resource allocation. Our findings also motivate the development of AI systems that better understand and serve diverse communities, moving towards technology that equitably benefits all sectors of society.

Affordances Provide a Fundamental Categorization Principle for Visual Scenes

How do we know that a kitchen is a kitchen by looking? Relatively little is known about how we conceptualize and categorize different visual environments. Traditional models of visual perception posit that scene categorization is achieved through the recognition of a scene's objects, yet these models cannot account for the mounting evidence that human observers are relatively insensitive to the local details in an image. Psychologists have long theorized that the affordances, or actionable possibilities of a stimulus are pivotal to its perception. To what extent are scene categories created from similar affordances? Using a large-scale experiment using hundreds of scene categories, we show that the activities afforded by a visual scene provide a fundamental categorization principle. Affordance-based similarity explained the majority of the structure in the human scene categorization patterns, outperforming alternative similarities based on objects or visual features. We all models were combined, affordances provided the majority of the predictive power in the combined model, and nearly half of the total explained variance is captured only by affordances. These results challenge many existing models of high-level visual perception, and provide immediately testable hypotheses for the functional organization of the human perceptual system.

Visual Noise from Natural Scene Statistics Reveals Human Scene Category Representations

Our perceptions are guided both by the bottom-up information entering our eyes, as well as our top-down expectations of what we will see. Although bottom-up visual processing has been extensively studied, comparatively little is known about top-down signals. Here, we describe REVEAL (Representations Envisioned Via Evolutionary ALgorithm), a method for visualizing an observer's internal representation of a complex, real-world scene, allowing us to, for the first time, visualize the top-down information in an observer's mind. REVEAL rests on two innovations for solving this high dimensional problem: visual noise that samples from natural image statistics, and a computer algorithm that collaborates with human observers to efficiently obtain a solution. In this work, we visualize observers' internal representations of a visual scene category (street) using an experiment in which the observer views the naturalistic visual noise and collaborates with the algorithm to externalize his internal representation. As no scene information was presented, observers had to use their internal knowledge of the target, matching it with the visual features in the noise. We matched reconstructed images with images of real-world street scenes to enhance visualization. Critically, we show that the visualized mental images can be used to predict rapid scene detection performance, as each observer had faster and more accurate responses to detecting real-world images that were the most similar to his reconstructed street templates. These results show that it is possible to visualize previously unobservable mental representations of real world stimuli. More broadly, REVEAL provides a general method for objectively examining the content of previously private, subjective mental experiences.