Segmentation-Based Parametric Painting

We introduce a novel image-to-painting method that facilitates the creation of large-scale, high-fidelity paintings with human-like quality and stylistic variation. To process large images and gain control over the painting process, we introduce a segmentation-based painting process and a dynamic attention map approach inspired by human painting strategies, allowing optimization of brush strokes to proceed in batches over different image regions, thereby capturing both large-scale structure and fine details, while also allowing stylistic control over detail. Our optimized batch processing and patch-based loss framework enable efficient handling of large canvases, ensuring our painted outputs are both aesthetically compelling and functionally superior as compared to previous methods, as confirmed by rigorous evaluations. Code available at: https://github.com/manuelladron/semantic\_based\_painting.git

Multimodal Word Sense Disambiguation in Creative Practice

Language is ambiguous; many terms and expressions can convey the same idea. This is especially true in creative practice, where ideas and design intents are highly subjective. We present a dataset, Ambiguous Descriptions of Art Images (ADARI), of contemporary workpieces, which aims to provide a foundational resource for subjective image description and multimodal word disambiguation in the context of creative practice. The dataset contains a total of 240k images labeled with 260k descriptive sentences. It is additionally organized into sub-domains of architecture, art, design, fashion, furniture, product design and technology. In subjective image description, labels are not deterministic: for example, the ambiguous label dynamic might correspond to hundreds of different images. To understand this complexity, we analyze the ambiguity and relevance of text with respect to images using the state-of-the-art pre-trained BERT model for sentence classification. We provide a baseline for multi-label classification tasks and demonstrate the potential of multimodal approaches for understanding ambiguity in design intentions. We hope that ADARI dataset and baselines constitute a first step towards subjective label classification.