Abstract:Despite the rapid evolution and increasing efficacy of language and vision generative models, there remains a lack of comprehensive datasets that bridge the gap between personalized fashion needs and AI-driven design, limiting the potential for truly inclusive and customized fashion solutions. In this work, we leverage generative models to automatically construct a fashion image dataset tailored to various occasions, styles, and body types as instructed by users. We use different Large Language Models (LLMs) and prompting strategies to offer personalized outfits of high aesthetic quality, detail, and relevance to both expert and non-expert users' requirements, as demonstrated by qualitative analysis. Up until now the evaluation of the generated outfits has been conducted by non-expert human subjects. Despite the provided fine-grained insights on the quality and relevance of generation, we extend the discussion on the importance of expert knowledge for the evaluation of artistic AI-generated datasets such as this one. Our dataset is publicly available on GitHub at https://github.com/georgiarg/Prompt2Fashion.
Abstract:The advent of artificial intelligence has contributed in a groundbreaking transformation of the fashion industry, redefining creativity and innovation in unprecedented ways. This work investigates methodologies for generating tailored fashion descriptions using two distinct Large Language Models and a Stable Diffusion model for fashion image creation. Emphasizing adaptability in AI-driven fashion creativity, we depart from traditional approaches and focus on prompting techniques, such as zero-shot and few-shot learning, as well as Chain-of-Thought (CoT), which results in a variety of colors and textures, enhancing the diversity of the outputs. Central to our methodology is Retrieval-Augmented Generation (RAG), enriching models with insights from fashion sources to ensure contemporary representations. Evaluation combines quantitative metrics such as CLIPscore with qualitative human judgment, highlighting strengths in creativity, coherence, and aesthetic appeal across diverse styles. Among the participants, RAG and few-shot learning techniques are preferred for their ability to produce more relevant and appealing fashion descriptions. Our code is provided at https://github.com/georgiarg/AutoFashion.
Abstract:Counterfactual explanations (CEs) based on concepts are explanations that consider alternative scenarios to understand which high-level semantic features contributed to particular model predictions. In this work, we propose CEs based on the semantic graphs accompanying input data to achieve more descriptive, accurate, and human-aligned explanations. Building upon state-of-the-art (SoTA) conceptual attempts, we adopt a model-agnostic edit-based approach and introduce leveraging GNNs for efficient Graph Edit Distance (GED) computation. With a focus on the visual domain, we represent images as scene graphs and obtain their GNN embeddings to bypass solving the NP-hard graph similarity problem for all input pairs, an integral part of the CE computation process. We apply our method to benchmark and real-world datasets with varying difficulty and availability of semantic annotations. Testing on diverse classifiers, we find that our CEs outperform previous SoTA explanation models based on semantics, including both white and black-box as well as conceptual and pixel-level approaches. Their superiority is proven quantitatively and qualitatively, as validated by human subjects, highlighting the significance of leveraging semantic edges in the presence of intricate relationships. Our model-agnostic graph-based approach is widely applicable and easily extensible, producing actionable explanations across different contexts.
Abstract:Counterfactuals have been established as a popular explainability technique which leverages a set of minimal edits to alter the prediction of a classifier. When considering conceptual counterfactuals, the edits requested should correspond to salient concepts present in the input data. At the same time, conceptual distances are defined by knowledge graphs, ensuring the optimality of conceptual edits. In this work, we extend previous endeavors on conceptual counterfactuals by introducing \textit{graph edits as counterfactual explanations}: should we represent input data as graphs, which is the shortest graph edit path that results in an alternative classification label as provided by a black-box classifier?