IDEAT
Abstract:Experiments studying mainly proximity effect are presented. Pink noise and music were used as stimuli and a combo guitar amplifier as source to test several microphones: omnidirectional and directional. We plot in-axis levels and spectral balances as functions of x, the distance to the source. Proximity effect was found for omnidirectional microphones. In-axis level curves show that 1/x law seems poorly valid. Spectral balance evolutions depend on microphones and moreover on stimuli: bigger decreases of low frequencies with pink noise; larger increases of other frequencies with music. For a naked loudspeaker, we found similar in-axis level curves under and above the cut-off frequency and propose an explanation. Listening equalized music recordings will help to demonstrate proximity effect for tested microphones.Paper 7106 presented at the 122th Convention of the Audio Engineering Society, Wien, 2007
Abstract:Audio scene cartography for real or simulated stereo recordings is presented. This audio scene analysis is performed doing successively: a perceptive 10-subbands analysis, calculation of temporal laws for relative delays and gains between both channels of each subband using a short-time cons\-tant scene assumption and channels inter-correlation which permit to follow a mobile source in its moves, calculation of global and subbands histograms whose peaks give the incidence information for fixed sources. Audio scenes composed of 2 to 4 fixed sources or with a fixed source and a mobile one have been already successfully tested. Further extensions and applications will be discussed. Audio illustrations of audio scenes, subband analysis and demonstration of real-time stereo recording simulations will be given.Paper 6340 presented at the 118th Convention of the Audio Engineering Society, Barcelona, 2005
Abstract:We will present a first step in design of a broadband physical model for microphones. Within the proposed model, classical directivity patterns (omnidirectional, bidirectional and cardioids family) are refound as limit cases: monochromatic excitation, low frequency and far-field approximation. Monophonic pieces of music are used as sources for the model so we can listen the simulation of the associated recorded sound field in realtime thanks to a Max/MSP application. Listening and subbands analysis show that the directivity is a function of frequential subband and source location. This model also exhibits an interesting proximity effect. Audio demonstrations will be given.Paper 6638 presented at the 120th Convention of the Audio Engineering Society, Paris, 2006
Abstract:We present an alternative temporal approach for convolution, providing a new algorithm, called the taches-algorithm. Based on interferences between the successive delayed and amplified output signals associated respectively with the impulses constituting the input signal, the taches-algorithm can give access immediately to the new output sample and have a low latency response even without using vector-based optimisation of the calculation. With the taches-algorithm it seems easy to change (even in real-time) the impulse response while running the calculation, simply by updating the impulse response to use it for next samples, a task rather difficult to achieve using FFT convolution. Real-time audio demonstrations using notably Pure Data and simple explanations of the taches-algorithm will be given.Paper 7412 presented at the 125th Convention of the Audio Engineering Society, Amsterdam, 2008