M2D2: Exploring General-purpose Audio-Language Representations Beyond CLAP

Contrastive language-audio pre-training (CLAP) has addressed audio-language tasks such as audio-text retrieval by aligning audio and text in a common feature space. While CLAP addresses general audio-language tasks, its audio features do not generalize well in audio tasks. In contrast, self-supervised learning (SSL) models learn general-purpose audio features that perform well in diverse audio tasks. We pursue representation learning that can be widely used in audio applications and hypothesize that a method that learns both general audio features and CLAP features should achieve our goal, which we call a general-purpose audio-language representation. To implement our hypothesis, we propose M2D2, a second-generation masked modeling duo (M2D) that combines an SSL M2D and CLAP. M2D2 learns two types of features using two modalities (audio and text) in a two-stage training process. It also utilizes advanced LLM-based sentence embeddings in CLAP training for powerful semantic supervision. In the first stage, M2D2 learns generalizable audio features from M2D and CLAP, where CLAP aligns the features with the fine LLM-based semantic embeddings. In the second stage, it learns CLAP features using the audio features learned from the LLM-based embeddings. Through these pre-training stages, M2D2 should enhance generalizability and performance in its audio and CLAP features. Experiments validated that M2D2 achieves effective general-purpose audio-language representation, highlighted with SOTA fine-tuning mAP of 49.0 for AudioSet, SOTA performance in music tasks, and top-level performance in audio-language tasks.

Baseline Systems and Evaluation Metrics for Spatial Semantic Segmentation of Sound Scenes

Immersive communication has made significant advancements, especially with the release of the codec for Immersive Voice and Audio Services. Aiming at its further realization, the DCASE 2025 Challenge has recently introduced a task for spatial semantic segmentation of sound scenes (S5), which focuses on detecting and separating sound events in spatial sound scenes. In this paper, we explore methods for addressing the S5 task. Specifically, we present baseline S5 systems that combine audio tagging (AT) and label-queried source separation (LSS) models. We investigate two LSS approaches based on the ResUNet architecture: a) extracting a single source for each detected event and b) querying multiple sources concurrently. Since each separated source in S5 is identified by its sound event class label, we propose new class-aware metrics to evaluate both the sound sources and labels simultaneously. Experimental results on first-order ambisonics spatial audio demonstrate the effectiveness of the proposed systems and confirm the efficacy of the metrics.