Abstract:Thousands of first-millennium BCE ivory carvings have been excavated from Neo-Assyrian sites in Mesopotamia (primarily Nimrud, Khorsabad, and Arslan Tash) hundreds of miles from their Levantine production contexts. At present, their specific manufacture dates and workshop localities are unknown. Relying on subjective, visual methods, scholars have grappled with their classification and regional attribution for over a century. This study combines visual approaches with machine-learning techniques to offer data-driven perspectives on the classification and attribution of this early Iron Age corpus. The study sample consisted of 162 sculptures of female figures. We have developed an algorithm that clusters the ivories based on a combination of descriptive and anthropometric data. The resulting categories, which are based on purely statistical criteria, show good agreement with conventional art historical classifications, while revealing new perspectives, especially with regard to the contested Syrian/South Syrian/Intermediate tradition. Specifically, we have identified that objects of the Syrian/South Syrian/Intermediate tradition may be more closely related to Phoenician objects than to North Syrian objects; we offer a reconsideration of a subset of Phoenician objects, and we confirm Syrian/South Syrian/Intermediate stylistic subgroups that might distinguish networks of acquisition among the sites of Nimrud, Khorsabad, Arslan Tash and the Levant. We have also identified which features are most significant in our cluster assignments and might thereby be most diagnostic of regional carving traditions. In short, our study both corroborates traditional visual classification methods and demonstrates how machine-learning techniques may be employed to reveal complementary information not accessible through the exclusively visual analysis of an archaeological corpus.
Abstract:Art historians and archaeologists have long grappled with the regional classification of ancient Near Eastern ivory carvings. Based on the visual similarity of sculptures, individuals within these fields have proposed object assemblages linked to hypothesized regional production centers. Using quantitative rather than visual methods, we here approach this classification task by exploiting computational methods from machine learning currently used with success in a variety of statistical problems in science and engineering. We first construct a prediction function using 66 categorical features as inputs and regional style as output. The model assigns regional style group (RSG), with 98 percent prediction accuracy. We then rank these features by their mutual information with RSG, quantifying single-feature predictive power. Using the highest- ranking features in combination with nomographic visualization, we have found previously unknown relationships that may aid in the regional classification of these ivories and their interpretation in art historical context.