The word creativity originally described a concept from human psychology, but in the realm of computational creativity (CC), it has become much more. The question of what creativity means when it is part of a computational system might be considered core to CC. Pinning down the meaning of creativity, and concepts like it, becomes salient when researchers port concepts from human psychology to computation, a widespread practice extending beyond CC into artificial intelligence (AI). Yet, the human processes shaping human-inspired computational systems have been little investigated. In this paper, we question which human literatures (social sciences, psychology, neuroscience) enter AI scholarship and how they are translated at the port of entry. This study is based on 22 in-depth, semi-structured interviews, primarily with human-inspired AI researchers, half of whom focus on creativity as a major research area. This paper focuses on findings most relevant to CC. We suggest that which human literature enters AI bears greater scrutiny because ideas may become disconnected from context in their home discipline. Accordingly, we recommend that CC researchers document the decisions and context of their practices, particularly those practices formalizing human concepts for machines. Publishing reflexive commentary on human elements in CC and AI would provide a useful record and permit greater dialogue with other disciplines.