Diffuse Sound Field Synthesis

Can uncorrelated surrounding sound sources be used to generate extended diffuse sound fields? By definition, targets are a constant sound pressure level, a vanishing average sound intensity, uncorrelated sound waves arriving isotropically from all directions. Does this require specific sources and geometries for surrounding 2D and 3D source layouts? As methods, we employ numeric simulations and undertake a series of calculations with uncorrelated circular/spherical source layouts, or such with infinite excess dimensions, and we point out relations to potential theory. Using a radial decay 1/r^b modified by the exponent b, the representation of the resulting fields with hypergeometric functions, Gegenbauer polynomials, and circular as well as spherical harmonics yields fruitful insights. In circular layouts, waves decaying by the exponent b=1/2 synthesize ideally extended, diffuse sound fields; spherical layouts do so with b=1. None of the layouts synthesizes a perfectly constant expected sound pressure level but its flatness is acceptable. Spherical t-designs describe optimal source layouts with well-described area of high diffuseness, and non-spherical, convex layouts can be improved by restoring isotropy or by mode matching for a maximally diffuse synthesis. Theory and simulation offer a basis for loudspeaker-based synthesis of diffuse sound fields and contribute physical reasons to recent psychoacoustic findings in spatial audio.

Perceptual evaluation of listener envelopment using spatial granular synthesis

Listener envelopment refers to the sensation of being surrounded by sound, either by multiple direct sound events or by a diffuse reverberant sound field. More recently, a specific attribute for the sensation of being covered by sound from elevated directions has been proposed by Sazdov et al. and was termed listener engulfment. This contribution investigates the effect of the temporal and directional density of sound events on listener envelopment and engulfment. A spatial granular synthesis technique is used to precisely control the temporal and directional density of sound events. Experimental results indicate that a directionally uniform distribution of sound events at time intervals $\Delta t < 20$ milliseconds is required to elicit a sensation of diffuse envelopment, whereas longer time intervals lead to localized auditory events. It shows that elevated loudspeaker layers do not increase envelopment, but contribute specifically to listener engulfment. Lowpass-filtered stimuli increase envelopment, but lead to a decreased control over engulfment. The results can be exploited in the technical design and creative application of spatial sound synthesis and reverberation algorithms.