Abstract:In addition to being a widely recognised novelist, Milan Kundera has also authored three pieces for theatre: The Owners of the Keys (Majitel\'e kl\'i\v{c}\r{u}, 1961), The Blunder (Pt\'akovina, 1967), and Jacques and his Master (Jakub a jeho p\'an, 1971). In recent years, however, the hypothesis has been raised that Kundera is the true author of a fourth play: Juro J\'ano\v{s}\'ik, first performed in a 1974 production under the name of Karel Steigerwald, who was Kundera's student at the time. In this study, we make use of supervised machine learning to settle the question of authorship attribution in the case of Juro J\'ano\v{s}\'ik, with results strongly supporting the hypothesis of Kundera's authorship.